Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Arts

Having crossed the bustling Ponte Vecchio in Florence, the visitor soon encounters a small piazza with a shaded entrance to the church of Santa Felicita and gladly enters the cool grey stone interior. On the right, behind an iron gate, a painting of Christ’s Deposition 1526–28 illuminates a side chapel, beaming colours of ...

... (read more)

Almost twelve years after her death, Bronwyn Oliver (1959–2006) remains one of Australia’s best-known sculptors; her artistic legacy supported by the prolific outputs of an intense and high-profile studio practice across three decades, by public, private, and corporate commissions, and by a string of prizes, awards, and fellowships ...

... (read more)

The final week of February in Australia means, among other things, that another summer is almost over. Yet in contrast to the fleeting nature of lived experience, a new exhibition at the Art Gallery of Western Australia calls attention to the enduring power of art to capture and convey human passions ...

... (read more)

Grant Featherston (1922–95), the most prominent and successful furniture designer working in postwar Australia, is noted for his moulded, upholstered plywood modernist chairs from the 1950s, which combined comfort and style and which resembled work by Charles Eames ...

... (read more)

In 1976, when Prime Minister Malcolm Fraser and his wife, Tamie, were on an official visit to the White House in Washington, she was shown the collection of Americana acquired through the White House Historical Association, an idea of Jacqueline Kennedy’s as First Lady. Her enthusiasm for a similar Australian fund ...

... (read more)

Following a concerted media and legal campaign, the Namatjira Legacy Trust has succeeded in securing the ownership of the copyright of Albert Namatjira following a recent resolution of claims made by the Trust against the long-time copyright owner Legend Press ...

... (read more)

It was the late Robert Hughes who said that ‘apart from drugs, art is the biggest unregulated market in the world’. Journalist Gabriella Coslovich quotes him in her account of the 2016 Whiteley art fraud trial, repeating the line to one of the accused, art dealer Peter Stanley Gant, as he complains to Coslovich about the ramping ...

... (read more)

Charles Green and Anthony Gardner’s Biennials, Triennials, and Documenta: The exhibitions that created contemporary art represents an apposite study of the biennials and triennials – also known as mega-exhibitions – that are proliferating around the world. Apposite since, with the exception of Bruce Altshuler’s two-volume account from 1863 ...

Siri Hustvedt revels in ambiguity, the in-between places where the certainties of fact fray. In her idea-driven novels such as  ...

... (read more)

In the opening piece of his book of collected essays, the novelist and photography critic Teju Cole feels briefly possessed by the spirit of James Baldwin who, like him, travelled outside the ...

... (read more)