Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Puncher & Wattmann

noun Stack of Books 2157520

Sign up to Book of the Week and receive a new review to your inbox every Monday. Always free to read.

 

Recent:

Feeding the Ghost 1: Criticism on contemporary Australian poetry edited by Andy Kissane, David Musgrave, and Carolyn Rickett

by
January-February 2019, no. 408

Perhaps the most encouraging sign in this Puncher & Wattmann collection of critical essays on contemporary Australian poets is the prominent ‘1’ on its front cover, promising that this will be the first in a series. Given that last year’s Contemporary Australian Poetry anthology by the same publisher featured more than two hundred poets ...

... (read more)

To complement our ‘Books of the Year’ feature, which appeared in the December 2018 issue, we invited some senior publishers to nominate their favourite books of 2018 – all published by other companies.

... (read more)

Sarah Day’s début collection, A Hunger to Be Less Serious (1987), married lightness of touch with depth of insight. In Towards Light & Other Poems (Puncher & Wattmann, $25 pb, 108 pp, 9781925780024), Day continues this project in poems concerned with light, a thing presented as both ...

... (read more)

Kevin Brophy’s latest book is a record of the year he spent living in the remote Aboriginal community of Mulan. The community is home to predominantly Walmajarri people, and is on the edge of the Great Sandy Desert, sixteen hours’ drive from Broome. He was given a decomposing house to ...

... (read more)

Fragments by Antigone Kefala & A House by the River by Diane Fahey

by
June-July 2017, no. 392

Antigone Kefala’s Fragments, her fifth book of poems and first since Absence: New and selected poems (1992), is often menaced by the past, like her first collection, The Alien (1973). Here too are some subtly demolishing portraits, as well as buoyant poems such as ‘Metro Cellist’ and the slightly brooding ‘Summer at Derveni’: ‘ ...

Poetry as the solidifying of memory, poetry as a survivor's sanguine amusement, takes a lifetime. Louise Nicholas relates autobiography through strongly considered moments ...

... (read more)

In their very different ways, these three collections attest that contemporary Australian poetry is alive, robust, and engaging.

Puncher and Wattmann have delivered a generous collection of Martin Langford's most recent poems, Ground ($25 pb, 158 pp, 9781922186751). As we have come to expect from Langford, the voice we find here is strong – passio ...

With her first book, Zoetrope, in 1995, MTC Cronin announced herself as a very particular force in Australian poetry. It was not just that her début was so much more immediately arresting than most poets' first outings, but also that it had real authority. This authority, coming from force of intellect and a kind of absolutist, almost inscribed imagination ...

Babel Fish by Jillian Pattinson

by
November 2015, no. 376

Halfway through her first full-length collection, Babel Fish, Jillian Pattinson quotes Borges's famous argument: 'Myth is at the beginning of literature, and also at its end.' Her whole book does its best to embody this idea.

As its title 'Waterline' implies, the first group of poems here is loosely unified by water references, from the semi-scienti ...

Contemporary Australian poetry has a complex and ever-evolving relationship with the land, both at home and abroad. Almost twenty-five years post-Mabo and entrenched in ongoing ecological crises, Australian poets explore new ways of experiencing and defining place. Where misguided nationalism sought to limit Australian poe ...