Oxford University Press

On what terms should we interrogate the past? Ancient life can seem essentially unknowable, a place where everything is different, glimpsed only in the words of those who lived then and surviving traces of material culture.

The Cambridge classical scholar Sir Moses Finley argued for an interpretation of ancient life bounded by then current civic and religious beliefs. Finley’s The Ancient Economy (1973) suggested that economic life in classical Greece and Rome was not distinct and separate, with its own language, but was tied intimately to social life. We err therefore by translating current notions of economic motivation to a world of slaves and gods, closeted women, and limited technology. The ancients did not dwell on capital formation, efficiency, or economic growth.

Paul Giles has done important work reimagining North American literary history as allied rather than isolationist – revisioning American literature not as the definition of landlocked nation or exceptional homeland but as the product of transatlantic and continental traverses of forms and voices. In three books, Transatlantic Insurrections (2001), Atlantic Republic (2006), and The Global Remapping of American Literature (2011), he has uncovered the lines of influence and adaptation between North American, British, and European literary cultures. As a geographical materialist, he focuses on individual authors, overlaid with their spatial and historical environments from the colonialist, to the revolutionary, to the postmodern. But he is not an Archimedean, seeking a still perspective from somewhere above or beyond. Rather, his outlook is shaped by cartographical models of the globe with their surface mosaics of national territories and periods. Whether geographical, historical, or literary, the world is always remappable. His impulse is a deterritorialising one, looking out from within the literary work, that imaginary space from which selves, borders, hemispheres, the nation, the world can be reperceived and co-ordinates reversed or rotated.

This book by Nigel Biggar, Anglican minister and Oxford Professor of Theology, is in the rich and broad tradition of thinking about war known as Just War Theory (JWT). JWT sees war as justifiable, but holds that decisions about going to war, as well as about the way it is fought, are subject to moral constraints ...

Helen Small, Professor of English at Pembroke College, Oxford, adopts a pragmatic and non-polemical approach in addressing The Value of the Humanities. This topic has been much debated recently as political and economic pressures on universities and funding agencies have led to an alleged devaluation of the humanities.

Should state spending on government be more restricted, or is it private financial institutions that should pay? Adrian Walsh writes about fresh controversies over international austerity programs.

From the Enlightenment, according to contemporary critics, came a dream about human progress from which we have awakened. The Enlightenment is commonly presented as an intellectual era when philosophers believed that reason would solve all human problems and provide a solid foundation for morality and politics. But surely we now know better.

George Balanchine’s name is synonymous with ballet. We know him as a dancer in the post-revolutionary Soviet Union before his flight to the West in the early 1920s. After joining Diaghilev’s Ballets Russes as an innovative choreographer, Balanchine soon realised that moving to the United States would enable him to fulfil his creativity and ambition. In 1934 he founded the New York City Ballet, remaining its prime choreographer and ballet master until his death in 1983. He combined the classical aesthetic he learned at St Petersburg’s rigorous Imperial Ballet School with daring modernism. Collaborations with composers such as Stravinsky ensured that his ballets would remain icons of contemporary dance.

In his introduction to this book, Richard Toye makes the startling but, as far as I know, accurate claim that this is the first book to offer a comprehensive analysis of Churchill’s wartime speeches. For a series of orations that now occupy many pages of any dictionary of quotations, The Roar of the Lion fills a surprising gap. Unfortunately, it does not fill it adequately.

Christopher Hilliard’s meticulously researched and richly detailed English as a Vocation: The Scrutiny Movement opens with a historical anecdote regarding an after-hours, postwar negotiation ‘between literary analysis and popular culture’ undertaken in that most evocative of English holiday destinations: Scarborough. In these opening lines, Hilliard describes how the founder and director of Birmingham University’s renowned Centre of Cultural Studies, Richard Hoggart, working in an earlier capacity as an adult education tutor in North Yorkshire, spent his evenings in the late 1940s combining classes on Shakespeare with sessions scrutinising advertising rhetoric and the language of newspaper articles.