While the bulk of Samuel Beckett’s monumental reputation rests on the plays – especially the mid-career, mid-century works that include Waiting for Godot (1953), Endgame (1955–57), and Happy Days (1961) – it is the novels that afford the most prolonged, immersive access to his enduring concerns and preoccupations. While Molloy (1951), Malone Dies (1951), and The Unnamable (1953) are consid ... (read more)