This is the largest and most eclectic of Wilding’s four collections of short stories so far. Its 284 pages include stories ranging from ninety pages and two. Mostly written in the first person, they range in space between England and Australia, go back to the childhood of the narrator(s) (sometimes identified as Mike or Michael, making the autobiographical inferences irresistible) and in mode range from social realism through to the surrealistic modes of ‘What it was like, sometime

In Grade 5 social studies we ‘did’ Australia. After Captain Cook and the first fleet and settlement, and a couple of lessons spent drawing Aboriginal mia-mias and weaponry came the explorers. Blaxland, Wentworth and Lawson, Hume and Hovell, Major Mitchell, Burke and Wills Captain Sturt, and Edward John Eyre … Their names and achievements were committed to memory as surely as the three times table. But as our sticky hands traced maps from our atlases onto lunch wrap paper and into our exercise books – there to be outlined in accident-prone Indian ink, and the dotted lines of exploration marked – the explorers somehow failed to grasp our imaginations. We experienced little sympathy with their effort or their suffering, and only a mechanical recognition of the importance of their discoveries.

The Great Mint Swindle was one of the most outrageous frauds in the history of Australian crime. On 22 June 1982, the closely guarded Perth Mint handed over, without a murmur, $650,000 worth of gold bars, which were never to be seen again. Not a shot was fired, not a person threatened. It was all done with three fake building society cheques, which the Mint accepted without question. The mastermind behind the ingenious swindle never showed his face.

Keith Willey died on 6 September 1984. He had just submitted the manuscript of what was to be his last book. A study of Australian humour in adversity titled You Might As Well Laugh Mate, it summed up the man, not least in his last days. Sardonic, self-effacing, unashamedly Australian.

Before I came across this attractive and instructive book, I knew very little of the art of Sam Byrne, thinking of him merely as one of a group of outback ‘primitives’ based on Broken Hill, the Silver City, of whom the best known is Pro Hart.

It was my good fortune to be born into a family for whom books and paintings had a central place. My parents subscribed to an excellent lending library and were adventurous readers of novels. During the Depression they could not often afford to buy a painting, but they went to art shows and Sunday visits to the Art Gallery of New South Wales were frequent in my childhood.