On the surface, Scott McCulloch’s début novel, Basin, takes place in a brutal and degenerated landscape; the edge of a former empire in a state of violent flux. Rebels, separatists, terrorists, paramilitary groups, and the remnants of imperial forces clash over borders and interzones in the wake of the ‘Collapse’, an undefined geopolitical and ecological disaster. Print and broadcast media warn of inter-ethnic conflict and Rebel advances. Bazaars, brothels, and a chain of Poseidon Hotels all operate amid industrial waste and military checkpoints, servicing the region’s fishermen, soldiers, smugglers, and drifters. There is a multiplicity of language and religion (Abrahamic denominations mingle with archaic, pagan beliefs). Alcohol consumption and illicit drug use are rife. The climate is oppressively humid.

Oh, how I detest tiny books – those cutesy little hardbacks that are sold next to the novelty bookmarks and greeting cards. 101 Reasons Why Dogs/Cats Are Better Than Cats/Dogs; Inspo quotes for Insta feminists; The Pocket Marcus Aurelias (for the stoic on-the-go); The Pocket Tarot (for the soothsayer on-the-go); The Tao of Something. They are the literary equivalent of supermarket checkout chocolates – sugar-fix books. Stocking stuffers. Gag gifts. Op-shop cloggers. Toilet-floor lint collectors.

The brief and unpretentious biography of Noel Pearson on the dust jacket of Mission: Essays, speeches and ideas describes him as ‘a lawyer, activist and founder of the Cape York Institute’. Although surely accurate, this gives little indication of the stature this remarkable man has assumed in Australian public life over the past thirty years. If Pearson is an activist, it is of an unusual kind: one who has combined the roles of insider and outsider, agitator and wonk, intellectual and politician, in highly original and productive ways.

On the wall of Yindjibarndi leader Michael Woodley’s modest office in the Pilbara Aboriginal community of Roebourne hangs a large framed portrait of Muhammad Ali and a pair of boxing gloves. It seems a highly appropriate metaphor for the tale of this small Aboriginal group’s thirteen-year resistance to one of Australia’s most powerful companies, now recounted by former Australian journalist Paul Cleary.

Amid the daily dramas and momentous impact of the ongoing coronavirus pandemic, it’s easy to forget that, just four years ago, Australia was enduring a very different – and much less serious – kind of political crisis. In July 2017, the Australian Greens’ Scott Ludlam resigned from the Senate, having been advised that his failure to renounce his long-dormant New Zealand citizenship meant that he was a dual citizen, and in breach of section 44 of the Constitution. This kicked off a farcical procession of resignations, High Court referrals, by-elections, and countbacks. This ultimately resulted in fifteen MHRs and senators from across the political spectrum being ruled ineligible to sit in the federal parliament.

Landholders are cutting, crushing, scraping, spraying, bulldozing, and burning native woodlands and grasslands. Displaced koalas are shot, their bodies dumped in smouldering stacks. Land values double. In 2012, the Turnbull family of Croppa Creek, in north-west New South Wales, bought a property knowing that clearing would be prohibited. Under the direction of patriarch Ian Turnbull, they started clearing before the contracts were signed. They cleared when they were prosecuted, they cleared the areas ordered to be remediated, they cleared as they awaited decision on a second set of charges. They were clearing on the day Turnbull shot and killed government compliance officer Glen Turner. Against this turmoil, Kate Holden forges a sanctuary for contemplation in The Winter Road, which raises questions about our relationships and responsibilities on this continent.

When did the rationale for the Iraq War – which began in 2003 and still rumbles today – go from being a mistake, to a self-deception, to an outright lie? When did it dawn on the Bush Jr administration and its key allies in London and Canberra that the ostensible reason for the invasion of Iraq had disappeared, probably literally, under the sands of Mesopotamia? By the time of the invasion, Saddam Hussein’s regime possessed no weapons of mass destruction that could threaten another country. The Iraqi dictator may have desired such weapons, but a combination of international sanctions and the mere fear of retribution thwarted his plans.

It’s difficult to describe what it’s like to be raised in a Chinese family, especially when you are surrounded by markers of Western society. There is no such thing as talking back to your parents or refusing to do what they say. As a child, I never went to sleepovers. During my teenage and young adult years, I felt increasingly trapped in my own home. Everything I did was scrutinised; my parents never seemed to take into account my wants or needs. I found myself grasping for any scrap of independence, usually through lying or stealing or a combination of the two. As children, we are continually told that adults do things to protect us, especially when they are things we don’t particularly like. But when does protection morph into something uglier? When does it smother us, as if our agency has been stripped from us?

It is wonderful to immerse oneself for days in the precise, elegant, passionate words of historian Inga Clendinnen (1934–2016), as this welcome collection of her writings enables one to do. Clendinnen’s distinctive voice comes through: warm, confidential, witty, and driven by a fierce intelligence. All her major writings are here – essays, articles, lectures, memoirs, and extracts from her books – deftly selected by James Boyce, a historian thirty years younger than Clendinnen and himself a highly original thinker and writer. As Boyce observes in his perceptive introduction, ‘Clendinnen’s subject was nothing less than human consciousness.’