When Peter Tompkins and Christopher Bird wrote The Secret Life of Plants (1975), many critics labelled their attempt to prove a spiritual link between people and plants as mystical gibberish, with a New York Times review chiding the authors for pandering to charlatans and amateur psychics ...

Novelist and academic Julienne van Loon does not doubt that the thinking woman is ‘alive and well’, but when she scans the (mostly) male names in bookstore philosophy sections and the (mostly) male staff lists of university philosophy departments, she wonders where they are hiding ...

Stephanie Bishop’s third novel, Man Out of Time, her most mature work to date, echoes Virginia Woolf’s psychological realism and the claustrophobic intensity of Elizabeth Harrower’s The Watch Tower (1966). Indeed, an unkind reviewer might compare Bishop’s latest novel to ...

In a 2017 essay for the Guardian, author Charlotte Wood spoke about the shame artists often feel when they discover a distinguishing characteristic in their work, something that separates them from their cohort. ‘In the beginning, and for a long time, an artist can be most embarrassed by the very thing – sometimes the only ...

So much has been written about male–female power dynamics, Trump’s grotesqueries, the public outing of protected abusers, and the growing chorus of women speaking out about sexual harassment that it’s hard to believe there could be anything new to add. Yet Rebecca Solnit, author of celebrated essays ...

It was the late Robert Hughes who said that ‘apart from drugs, art is the biggest unregulated market in the world’. Journalist Gabriella Coslovich quotes him in her account of the 2016 Whiteley art fraud trial, repeating the line to one of the accused, art dealer Peter Stanley Gant, as he complains to Coslovich about the ramping ...