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Short Stories

noun Stack of Books 2157520

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How to review a book that includes, as major characters, Simpson and his donkey, the Dig Tree, and a bus that may or may not be a tram?

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The Best Australian Stories 2010 edited by Cate Kennedy  & New Australian Stories 2 edited by Aviva Tuffield

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February 2011, no. 328

Amore appropriate moniker for this year’s Black Inc. collection might be ‘Bleak Australian Stories 2010’. Either the editor’s taste runs to the morose or Australian writers need to venture outside and enjoy the sunshine a little more...

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The great Russian short story writer Ivan Bunin said that in the process of becoming a writer, ‘one learns not to invent, but to see clearly...

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While the stories in The Kid on the Karaoke Stage vary thematically, they are predominantly realist in style, with plenty of seemingly serendipitous through-lines. Georgia Richter, who has edited the collection superbly, says that she was interested in ‘the way we turn to writing to crystallise moments of realisation’. The authors all have links to West ...

Yellowcake  by Margo Lanagan & The Wilful Eye: Tales from the Tower, Volume I  edited by Isobelle Carmody and Nan McNab

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May 2011, no. 331

The ten tales in Margo Lanagan’s Yellowcake offer an eclectic glimpse behind the slender veil separating the everyday from the fantastic. The collection is peopled by monstrous gods and godly monsters, by scavengers, drifters, and fascinators. Its landscape incorporates hellish war zones, apocalyptic streetscapes, and haunting carnivals. There is hope and ...

The final offering in Patrick Holland’s first collection of short stories is also its best.

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From a clutch of novels including the award-winning Camille’s Bread (1996), Amanda Lohrey has now turned to shorter literary forms, notably two Quarterly Essays (2002, 2006), a novella (Vertigo, 2008) and this new collection of short stories. At the 2009 Sydney Writers’ Festival she publicly confessed her new leaning, arguing the benefits of genres more easily completed by both writer and reader and less likely to produce guilt if cast aside unfinished.

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Of Sadhus and Spinners: Australian Encounters with India edited by Bruce Bennett, Santosh K. Sareen, Susan Cowan and Asha Kanwar

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July–August 2010, no. 323

Of Sadhus and Spinners: Australian Encounters with India has been assembled by several of the stalwarts of this particular cultural exchange, all based in Australian or Indian universities. Bruce Bennett and Santosh Sareen have played leading roles over the last two or three decades in establishing Australian Studies in India, most notably through the Indian Association for the Study of Australian Literature.

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Emmett Stinson has been fiction editor of Adelaide’s Wet Ink magazine since its conception, and came to prominence when his story ‘All Fathers the Father’ won The Age Short Story Competition in 2004. That story is included here in his first collection, as are ‘The Russians are Leaving’ and ‘Great Extinctions in History’, which appeared in the Sleeper’s Almanac in 2007 and 2008, respectively. More recently, Stinson’s story ‘Clinching’ was included in the inaugural edition of Kill Your Darlings. A compendium of his short fiction has thus been in the offing for some time, and it came as little surprise to see his name on the list of writers Affirm Press is showcasing in its interesting new short story series.

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Tom Shapcott’s most recent volume collects nine short stories and one novella from 1997 to 2005, the period during which he was the inaugural Professor of Creative Writing at the University of Adelaide. Of his thirty-two volumes, eleven are novels, three are collections of short stories, and eighteen are books of poetry. Tom has received the Patrick White Prize, Senior Fellowships from the Australia Council and an Order of Australia. He has been Director of the Literature Board of the Australia Council, Executive Director of the National Book Council and a member of the Adelaide Festival Writers’ Week Committee. Does the man never sleep?

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