As Christos Tsiolkas notes in his back cover puff, Tony Birch’s storytelling skills have been widely acknowledged since the publication of Shadowboxing in 2006. Many people have been waiting to see how Birch would fare with a full-length novel. His début, Blood, is nothing short of outstanding. Birch has finally found a home at University of Queensland Press, where he has his staunch champion, John Hunter, who published Birch’s previous book of short fiction, Father’s Day (2009) under his own imprint, Hunter.

Shadowboxing is a collection of discrete short stories charting the arduous journey of the narrator, Michael Byrne, from childhood to fatherhood. Living in the inner-Melbourne suburbs of Carlton, Richmond, and Fitzroy in the 1960s was for many a tough proposition – and the Byrne family is no exception. Their household is headed by an embittered alcoholic whose violent tendencies are a source of constant dread. Money is always tight, and the family’s grip on any sort of security or comfort is invariably tenuous. Yet when the stories have been told, what we are left with is not a litany of woe but rather powerful examples of resilience and resourcefulness provided by the inhabitants of these impoverished communities.

Towards the end of his informative introduction, Robert Manne, the editor of Whitewash: On Keith Windschuttle’s fabrication of Aboriginal history, outlines the collective intention of the book’s nineteen contributors. He refers to Windschuttle’s The Fabrication of Aboriginal History (2002), a revisionist text dealing with early colonial history and violence in nineteenth-century Tasmania, as ‘so ignorant, so polemical and so pitiless a book’ ...