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US Politics

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Landslide by Michael Wolff & Peril by Bob Woodward and Robert Costa

by
January–February 2022, no. 439

The Trump presidency (2017–21) has generated more books across its four years than most presidencies have across eight. It is ironic that an avowedly anti-intellectual president, who advertises his dislike of reading, has had such a profound impact on political literature. These two books – Landslide and Peril – will likely remain the most read of that growing collection. As their titles suggest, each is a chronicle of the chaos that consumed the United States during and after the 2020 election campaign.

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Surely it wasn’t meant to be like this. In early September, Prime Minister Scott Morrison was set to attend a lavish ceremony in Washington to mark the seventieth anniversary of the signing of the ANZUS Treaty. On the same trip, he was due to sit down in person for the first time with his US, Indian, and Japanese counterparts, fellow members of the ‘Quadrilateral Security Dialogue’, or ‘Quad’, a gathering primed to be a regional counterweight to China.

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Writing this review of John F. Kennedy’s formative years soon after the end of the Trump regime has evoked some surprising parallels between these two one-term American presidents (and perennial womanisers). They were both second sons born into wealthy families dominated by powerful patriarchs. Against the odds, they emerged as their fathers’ favourites and were groomed for success. Thanks not just to their wealth but to their televisual celebrity and telegenic families, they managed to eke out close election victories at a time when just enough disenchanted voters were looking for a change of direction in the White House. Despite their administrations’ profound disparities in competence and their differences in political outlook, they shared a deep distrust of senior bureaucrats and military officials, as well as an inability to work effectively with Congress. Bullets and ballots, respectively, ended Kennedy’s and Donald Trump’s presidencies, but not the cults of personality they had inspired. In the space of just over half a century, they have tilted the trajectory of American democracy and diplomacy from the tragic to the tragicomic.

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William Darrah Kelley – a Republican congressman from Philadelphia – stood at the front of a stage in Mobile, Alabama, watching as a group of men pushed and shoved their way through the audience towards him. It was May 1867, Radical Reconstruction was underway, and Southern cities like Mobile were just beginning a revolutionary expansion and contraction of racial equality and democracy. The Reconstruction Acts, passed by Congress that year, granted formerly enslaved men the right to vote and to run for office in the former Confederate states. Northern Republicans streamed into cities across the South in 1867, speaking to both Black and white, to the inspired and hostile – registering Black voters and strengthening the already strong links between African Americans and the party.

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Lerone Bennett Jr, bestselling author of Black history, ruffled feathers with a 1968 article in the glossy monthly magazine Ebony. ‘Was Abe Lincoln a White Supremacist?’ the piece’s title asked provocatively. The title of Bennett’s later book on the topic proclaimed that Lincoln was Forced into Glory. Mainstream media either ignored or denigrated Bennett’s work, but his insights about Lincoln’s racism paved the way for a host of historical works that have revised our understanding of who should be credited with ending slavery in the United States.

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The events of January 6 shocked the world. In this episode of the ABR Podcast Samuel Watts reads his article 'This Is America' and offers a historical perspective. As Watts notes, 'To view the assault on the US Capitol as the climax of a dramatic, but brief, period of authoritarianism in the US is a potentially dangerous mistake. This attack was just the latest iteration in a long-lasting tradition of anti-democratic, white supremacist violence that has plagued the Republic since, at least, the Civil War.'

Samuel Watts’s article ‘This Is America’ is one of a series of commentaries funded by the Copyright Agency’s Cultural Fund.

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On the morning of 6 January 2021, President Donald Trump addressed a crowd of his supporters outside the White House for more than an hour. The president urged protesters who had already begun gathering along the National Mall to go to the Capitol Building where both houses of Congress were about to start the process of certifying the results of the electoral college, formalising Joe Biden’s victory in the November 2020 election. The election had been stolen, Trump told them: it was time for them to take it back and march on Congress: ‘You will never take back our country with weakness,’ said the president. 

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Serious observers of American presidential politics will not have missed the rapid rise to national prominence of Pete Buttigieg, the thirty-eight-year-old former mayor of the small Midwestern city of South Bend, Indiana. Within a year of announcing his candidacy for the Democratic presidential nomination, Buttigieg had made history as, in his words, ‘the first openly gay candidate to win a state in a presidential nominating contest – doing so as the first out elected official to even make the attempt’.

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Barack Obama has written the best presidential memoir since Ulysses S. Grant in 1885, and since Grant’s was mostly an account of his pre-presidential, Civil War generalship – written at speed, to stave off penury for his family, as he was dying of throat cancer – Obama’s lays some claim to being the greatest, at least so far. This first volume (of two) only reaches the third of his eight years in the White House.

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In the novel Demons, Dostoevsky’s narrator describes the character Shatov as ‘one of those ideal Russian beings who can suddenly be so struck by some strong idea that it seems to crush them then and there, sometimes even forever’. This ideal person is one whose ‘whole life afterwards is spent in some last writhings, as it were, under the stone that has fallen on them’. The people who populate Vivian Gornick’s The Romance of American Communism are Americans rather than Russians, but they too are living in the last writhings of the strong idea that dominates their lives: the idea of Stalinist communism.

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