In the opening pages of Kiera Lindsey's fictionalised history, The Convict's Daughter, a young 'currency lass' named Mary Ann Gill makes her precarious way to the third-floor ledge of her family's hotel in central Sydney, readying herself for the descent. 'Clutching hard to the wooden frame, the fifteen-year-old girl hoists herself up, knees first', all too ignorant of the turmoil and scandal whic ... (read more)