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Andy Kissane and Belle Ling, joint winners of the 2019 Peter Porter Poetry Prize.Andy Kissane and Belle Ling are the joint winners of the 2019 Peter Porter Poetry Prize, worth a total of $8,500. This is Australia’s premier prize for an original poem. Andy Kissane's winning poem is titled 'Searching the Dead', and Belle Ling's winning poem is titled '63 Temple Street, Mong Kok'.
The winners were named at a ceremony at fortyfivedownstairs in Melbourne on 18 March 2019.
This year’s judges – Judith Bishop, John Kawke, Paul Kane – shortlisted five poems from almost 900 entries, from 28 countries. The shortlisted poets were John Foulcher (ACT), Ross Gillett (Vic.), Andy Kissane (NSW), Belle Ling (QLD/Hong Kong), and Mark Tredinnick (NSW).
Porter Prize judge Judith Bishop (representing the judges) commented:
‘In Belle Ling’s “63 Temple St, Mong Kok”, other voices are rendered equally as vividly as the speaker’s own. Together they create the generous and gentle texture of this exceptionally resonant work.’
‘Andy Kissane’s “Searching the Dead” recounts a moment in Australian history – our soldiers’ involvement in the Vietnam War – that has not been captured before in this way. This dense, strongly physical and evocative poem grips the reader’s mind and body, and that imprint remains long after reading.’
John Foulcher has written eleven books of poetry, most recently 101 Poems (Pitt Street Poetry 2015), a selection from his previous books, and A Casual Penance (Pitt Street Poetry 2017). His work has appeared in Australian magazines and anthologies for more than thirty-five years, and he has received and been shortlisted for many awards. He divides his time between Canberra and an old Catholic church which he is renovating near the town of Braidwood in New South Wales.
Ross Gillett is a Melbourne-born poet who now lives in Daylesford. In 2010 he published a chapbook of old and new poems – Wundawax and other poems – with Mark Time Books. His next book will be published by Puncher & Wattmann later in 2019. He has won numerous Australian poetry awards, including the Broadway Poetry Prize, the FAW John Shaw Neilson Award (twice), and, most recently, the 2018 Newcastle Poetry Prize. He has been twice shortlisted for the Blake Poetry Prize. Ross’s previous career was with the Victorian Public Service, finishing as a project manager for the Department of Environment, Land, Water and Planning in Ballarat and Daylesford, where he specialised in the implementation of native title agreements.
Andy Kissane has published a novel, a book of short stories, The Swarm, and four books of poetry. Awards for his poetry include the Fish International Poetry Prize, the Australian Poetry Journal’s Poem of the Year and the Tom Collins Poetry Prize. Radiance (Puncher & Wattmann, 2014) was shortlisted for the Victorian and Western Australian Premier’s Prizes for Poetry and the Adelaide Festival Awards. He recently co-edited a book of criticism on Australian poetry, Feeding the Ghost. His fifth poetry collection, The Tomb of the Unknown Artist will be published in June 2019. He teaches English and lives in Sydney.
Belle Ling is a PhD student in Creative Writing at The University of Queensland. Her poetry manuscript, Rabbit-Light, was awarded Highly Commended in the 2018 Arts Queensland Thomas Shapcott Poetry Prize. Her first poetry collection, A Seed and a Plant, was shortlisted for The HKU International Poetry Prize 2010. Her poem, ‘That Space’, was placed second in the ESL category of the International Poetry Competition organized by the Oxford Brookes University in October 2016. She was awarded a Merit Scholarship at the New York State Summer Writers Institute in 2017.
Mark Tredinnick is a poet, essayist, and teacher. He is the author of The Blue Plateau: A Landscape Memoir, which won the Queensland Premier’s Literary Award and was shortlisted for the Prime Minister’s Literary Award), and Fire Diary, a book of poetry that won the WA Premier’s Book Prize. Beyond these, Mark is author of nine other acclaimed works of poetry and prose. Mark has also written several books on writing itself. He was co-winner of the 2008 Calibre Prize for his essay ‘A Storm and a Teacup’, and he won the Montreal Poetry Prize in 2011 and the Cardiff Poetry Prize in 2012.
Click here for more information about past winners and to read their poems.
We look forward to offering the Porter Prize again in 2020.
We gratefully acknowledge the long-standing support of Morag Fraser AM, and the support of ABR Patrons. The print is donated by Ivan Durrant in honour of Georges Mora.
Lucas Grainger-Brown is the winner of the twelfth Calibre Essay Prize – Australia’s most prestigious essay prize. The judges – novelist Andrea Goldsmith, NewSouth Executive Publisher Phillipa McGuinness, and ABR Editor Peter Rose – chose Lucas’s essay ‘We Three Hundred’ from a field of over 200 essays submitted from thirteen countries. Lucas receives $5,000, and his essay appears in the April 400th issue of Australian Book Review.
‘We Three Hundred’ is a candid and unsentimental account of life as a cadet at the Australian Defence Force Academy in Canberra for a bookish, idealistic adolescent straight out of high school.
On learning that he had won the Calibre Essay Prize, Lucas Grainger-Brown commented: ‘It is an incredible honour to win the Calibre Essay Prize. When I was ready to write out this formative story, I knew I had to submit it to the Calibre Prize. Australian Book Review provides a fantastic national platform for the appreciation of Australian arts, ideas and culture. I hope my essay is read as a constructive addition to the ongoing dialogue about who we are and where we are going.’
This winner of the second prize, worth $2,500, is Kirsten Tranter. Her essay, entitled ‘Once Again’, will be published in an upcoming issue.
About Lucas Grainger Brown
Lucas Grainger-Brown joined the Australian Defence Force as a high school student. Subsequently he worked as a management consultant. He is a researcher, tutor, and doctoral candidate at The University of Melbourne. Philosophy and politics are his enduring passions. He has published commentary, essays, and fiction across numerous media. He first wrote for ABR in 2016.
About Kirsten Tranter
Kirsten Tranter lives in the San Francisco Bay Area. She is the author of three novels, including Hold (2016), longlisted for the Miles Franklin Award. She completed a PhD in English Literature at Rutgers University in 2008, and publishes essays, journalism, and literary criticism. She is a founder of the Stella Prize for Australian women’s writing.
Sally Kerry Fox (UK)
‘The Lives We Leave Behind’
David M. A. Francis (VIC)
‘Between Joy and Sorrow: A Journey of the Hands’
Karen Holmberg (US)
‘The Very Worst Ache Is Not Knowing Why: Remembering Mme. Cluny’
Jack Jeweller (NSW)
‘Wings with Words’
Daryl Li (Singapore)
‘Metamorphoses’
Lea Zusmanovicha (VIC)
‘The Tails of Blankets’
Click here to download the media release
Subscribe to ABR Online to gain access to this issue online, plus the ABR archive.
Click here for more information about past winners and to read their essays.
We look forward to offering the Calibre Essay Prize again in 2019.
We gratefully acknowledge the long-standing support of Mr Colin Golvan QC and the ABR Patrons.
John Hawke, Morag Fraser, Nicholas Wong, and Peter RoseNicholas Wong is the winner of the 2018 Peter Porter Poetry Prize, now worth a total of $8,500. This is Australia’s premier prize for an original poem. Louis Klee, the 2017 winner, made the announcement at a special event at fortyfivedownstairs on Monday, 19 March. Nicholas Wong, who flew from Hong Kong to attend the Porter ceremony, receives $5,000.
His winning poem is titled ‘101, Taipei’.
This year’s judges – John Hawke, Bill Manhire, Jen Webb – shortlisted poems by five poets – Eileen Chong, Katherine Healy, LK Holt, Tracey Slaughter, and Nicholas Wong. They were chosen from a record field of almost 1,000 poems. Tracey Slaughter’s poem ‘breather’ was placed second. She receives $2,000 – the other three shortlisted poets $500 each.
Nicholas Wong, on winning the Prize, said: ‘I’m honoured and humbled to be the winner, especially with a poem whose subject matter may seem foreign. Winning the Porter Prize also allows me to reach out to Australian readers.’
John Hawke – chair of the judging panel and Poetry Editor of ABR – commented: ‘Nicholas Wong’s “101, Taipei” is a powerful representation of urban dislocation, which cuts across cultures and languages in its swerving indirections and switches in style and syntax.’
Peter Rose – Editor of Australian Book Review – commented: ‘We’re delighted that Nicholas Wong, with his superb poem, becomes the first Asian to win one of ABR’s three literary prizes. This is good for world poets and the Porter Prize, and is a measure of greater awareness of ABR overseas.’
Nicholas Wong is the author of Crevasse (Kaya Press, 2015), winner of the Lambda Literary Award in Gay Poetry. He is also the recipient of the Hong Kong Young Artist Award in Literary Arts in 2017. Wong has contributed writing to the radio composition project ‘One of the Two Stories, Or Both’ at Manchester International Festival 2017, and the final exhibition of Robert H.N. Ho Family Foundation Chinese Art Initiative at Solomon R.Guggenheim Museum, which will open in May 2018. He is the Vice President of PEN Hong Kong, and teaches atthe Education University of Hong Kong.
The Peter Porter Poetry Prize is one of Australia’s most prestigious poetry awards. For more information about the Peter Porter Poetry Prize or to read the 2018 shortlisted poems please visit the ABR website.
Nicholas Wong's winning poem is published in the March 2018 issue of ABR.
Click here to download the media release
Subscribe to ABR Online to gain access to this issue online, plus the ABR archive.
Click here for more information about past winners.
Click here for more information about the judges.
ABR gratefully acknowledges the support of Ms Morag Fraser AM and Mr Ivan Durrant.
ABR is delighted to announce Madelaine Lucas as the overall winner of the 2018 ABR Elizabeth Jolley Short Story Prize for her story ‘Ruins’. Madelaine Lucas receives $7,000.
Sharmini Aphrodite was placed second for her story 'Between the Mountain and the Sea' and Claire Aman placed third for her story 'Vasco'. We would like to congratulate all three shortlisted entrants and thank all those who entered their stories in the Jolley Prize.
This year the prestigious ABR Elizabeth Jolley Short Story Prize Prize attracted almost 1,200 entries from around the world. The 2018 Jolley Prize is worth a total of $12,500, with a first prize of $7,000 and supplementary prizes of $2,000 and $1,000. The judges were Patrick Allington, Michelle Cahill, and Beejay Silcox. The three shortlisted stories appear in our August issue.
The judges also commended three other stories: ‘Joan Mercer’s Fertile Head’ by S.J. Finn (Vic.), ‘Hardflip’ by Mirandi Riwoe (QLD), and ‘Break Character’ by Chloe Wilson (Vic.). The commended authors each receive $850.
Claire Aman (photograph by Ravi Watt-Nersesian), Sharmini Aphrodite (photograph by Verkur), Madelaine Lucas
Claire Aman grew up in Melbourne and settled in Grafton, New South Wales.Text published her short story collection, Bird Country, in 2017. Her stories have been published in Australian journals and anthologies and have won the E.J. Brady, Wet Ink and Hal Porter prizes. In 2011 her story ‘Milk Tray’ was shortlisted for the Jolley Prize. Her early writing life was nurtured by Varuna.
Sharmini Aphrodite was born in Borneo in 1995 and grew up in the sister cities of Singapore and Johor Bahru. Previously published in Cha: An Asian Literary Journal and Smokelong Quarterly, she was runner-up for her art criticism in Frieze Magazine’s Art Writing Prize, as well as in the Golden Point Awards.
Madelaine Lucas is an Australian writer and musician based in Brooklyn,New York. She is the senior editor of NOON literary annual and a teaching fellow at Columbia University, where she is completing her MFA in fiction. She has been the winner of the Overland/Victoria University Short Fiction Prize and was shortlisted for the Griffith University Josephine Ulrick Literature Prize. She is currently at work on her first novel.
‘Hoofman’ by Tiffany Allan (New Zealand)
‘Vasco’ by Claire Aman (NSW) – Shortlisted
‘Between the Mountain and the Sea’ Sharmini Aphrodite (Singapore) – Shortlisted
‘La selva obscura’ by Faye Brinsmead (ACT)
‘The Great Explorer has never seen anything equal to this land in his life’ by Craig Cormick (ACT)
‘Katterzems’ by Joel Ephraims (NSW)
‘Joan Mercer's Fertile Head’ by S.J. Finn (Vic.) – Commended
‘Zohira’ by Michelle Hamadache (NSW)
‘Ruins’ by Madelaine Lucas (NSW/USA) – Winner
‘The Art of Waving’ by Andrea Macleod (QLD)
‘Hardflip’ by Mirandi Riwoe (QLD) – Commended
‘Find Me This Place’ by Ben Walter (Tas.)
‘Break Character’ by Chloe Wilson (Vic.) – Commended
‘All We Need to See’ by Michelle Wright (Vic.)
Please read the Frequently Asked Questions page before contacting us with queries about the Jolley Prize.
Click here for more information about past winners and to read their stories
ABR gratefully acknowledges Mr Ian Dickson's generous support for the Jolley Prize.
Patrick Allington was the recipient of the inaugural ABR Patrons’ Fellowship. His novel, Figurehead (Black Inc. 2009), was longlisted for the Miles Franklin Literary Award. His short fiction and book criticism appears in Australian newspapers, magazines, and journals, including regularly in ABR. Patrick Allington was one of the judges of the 2014 Jolley Prize. He is a Lecturer in English and Creative Writing at Flinders University.
Michelle Cahill's short story collection Letter to Pessoa won the NSW Premier’s Literary Award for New Writing and was shortlisted in the Steele Rudd Award. She won the Hilary Mantel International Short Story Prize and her story 'Borges and I' placed second in the 2015 Jolley Prize. Her poetry and essays appear in the Forward Book of Poetry, 2018 and The Australian Face: Essays from the Sydney Review of Books. She edits Mascara Literary Review.
Beejay Silcox is an Australian writer and literary critic. She recently completed her MFA in the United States, and is currently working on her first collection of short stories. Her award-winning short fiction has been published at home and internationally, including in Meanjin, The Masters Review, The Southeast Review and ABR. Her story ‘Slut Trouble’ was commended in the 2016 Jolley Prize and republished in The Best Australian Stories 2017.
Lucas Grainger-Brown is the winner of the twelfth Calibre Essay Prize – Australia’s most prestigious essay prize. The judges – novelist Andrea Goldsmith, NewSouth Executive Publisher Phillipa McGuinness, and ABR Editor Peter Rose – chose Lucas’s essay ‘We Three Hundred’ from a field of over 200 essays submitted from thirteen countries. Lucas receives $5,000, and his essay appears in the April 400th issue of Australian Book Review.
This winner of the second prize, worth $2,500, is Kirsten Tranter. Her essay, entitled ‘Once Again’, will be published in an upcoming issue.
About Lucas Grainger Brown
Lucas Grainger-Brown joined the Australian Defence Force as a high school student. Subsequently he worked as a management consultant. He is a researcher, tutor, and doctoral candidate at The University of Melbourne. Philosophy and politics are his enduring passions. He has published commentary, essays, and fiction across numerous media. He first wrote for ABR in 2016.
About Kirsten Tranter
Kirsten Tranter lives in the San Francisco Bay Area. She is the author of three novels, including Hold (2016), longlisted for the Miles Franklin Award. She completed a PhD in English Literature at Rutgers University in 2008, and publishes essays, journalism, and literary criticism. She is a founder of the Stella Prize for Australian women’s writing.
Judith Bishop (VIC)
‘O Brave New World, That Has Such Data In’t (Love and Self-Understanding in an Algorithmic Age)’
Sally Kerry Fox (UK)
‘The Lives We Leave Behind’
David M. A. Francis (VIC)
‘Between Joy and Sorrow: A Journey of the Hands’
Karen Holmberg (US)
‘The Very Worst Ache Is Not Knowing Why: Remembering Mme. Cluny’
Jack Jeweller (NSW)
‘Wings with Words’
Daryl Li (Singapore)
‘Metamorphoses’
Lea Zusmanovicha (VIC)
‘The Tails of Blankets’
Click here for more information about past winners and to read their essays.
We look forward to offering the Calibre Essay Prize again in 2019.
We gratefully acknowledge the long-standing support of Mr Colin Golvan QC and the ABR Patrons.
Andrea Goldsmith is a Melbourne-based novelist, reviewer and essayist. Her literary essays have appeared in Heat, Meanjin, Australian Book Review, Best Australian Essays, as well as numerous anthologies. Her most recent novel, The Memory Trap, won the Melbourne Prize for best literary work in 2015. Her new novel, The Science of Departures is due out in 2018.
Phillipa McGuinness is Executive Publisher at NewSouth Publishing. She edited the book Copyfight (2015) and is writing a history of the year 2001, to be published by Random House in 2018.
Peter Rose is the Editor and CEO of Australian Book Review. His books include a family memoir, Rose Boys (2001), which won the National Biography Award in 2003. He has published two novels and six poetry collections, most recently The Subject of Feeling (UWA Publishing, 2015). Essays of his have appeared in Best Australian Essays and other publications.
Australian Book Review is delighted to announce that Eliza Robertson has won the 2017 ABR Elizabeth Jolley Short Story Prize for her story 'Pheidippides'. Ian Dickson announced Ms Robertson as the overall winner at a ceremony at the Potts Point Bookshop on 10 August 2017. Dominic Amerena placed second for his story 'The Leaching Layer' and Lauren Aimee Curtis came third for her story 'Butter'. Subscribers can read all three shortlisted stories in the August 2017 Fiction issue. We would like to congratulate all three shortlisted entrants and thank all those who entered their stories.
On learning of her win, Eliza Robertson commented:
'I am overjoyed to win this year's ABR Elizabeth Jolley Short Story Prize. My very first publication came from a magazine contest, so I know first hand the opportunities they provide to new writers. Eight years later, this prize coincides with the publishing of my first novel, Demi-Gods, and I am incredibly grateful to the ABR and judges for choosing my story and helping me to connect with Australian readers.'
The ABR Elizabeth Jolley Short Story Prize is one of the country’s most prestigious awards for short fiction. This year the Jolley Prize attracted almost 1,200 entries from forty-two different countries. The 2017 Jolley Prize was judged by ABR Deputy Editor Amy Baillieu, and authors Ellen van Neerven and Chris Flynn.
Eliza Robertson Eliza Robertson (UK/Canada) studied creative writing at the University of East Anglia, where she received the Man Booker Scholarship. In 2013, she won the Commonwealth Short Story Prize and was shortlisted for the Journey Prize and CBC Short Story Prize. Her début story collection, Wallflowers, was shortlisted for the East Anglia Book Award and selected as a New York Times editor’s choice. Her first novel, Demi-Gods, comes out with Penguin Canada and Bloomsbury in late 2017. Read her winning story 'Pheidippides'.
John Hawke is a Senior Lecturer, specialising in poetry, at Monash University. His books include Australian Literature and the Symbolist Movement, Poetry and the Trace (co-edited with Ann Vickery), and the volume of poetry Aurelia, which received the 2015 Anne Elder award.
Bill Manhire was New Zealand’s inaugural Poet Laureate. He founded the well-known creative writing programme at Victoria University of Wellington. His most recent books are a poetry collection, Some Things to Place in a Coffin (VUP, 2017), and a collection of short fiction, The Stories of Bill Manhire (VUP, 2015). He has also been writing songs with the jazz musician Norman Meehan.
Jen Webb is Distinguished Professor of Creative Practice at the University of Canberra, and Director of the Centre for Creative and Cultural Research in the Faculty of Arts and Design. Her recent work includes the scholarly volumes Researching Creative Writing (Frontinus Press, 2015) and Art and Human Rights: Contemporary Asian Contexts (with Caroline Turner; Manchester UP, 2016), and the poetry volumes Watching the World (with Paul Hetherington; Blemish Books, 2015), Stolen Stories, Borrowed Lines (Mark Time, 2015) and Sentences from the Archive (Recent Work Press, 2016).
John Hawke, Morag Fraser, Nicholas Wong, and Peter RoseNicholas Wong is the winner of the 2018 Peter Porter Poetry Prize, now worth a total of $8,500. This is Australia’s premier prize for an original poem. Louis Klee, the 2017 winner, made the announcement at a special event at fortyfivedownstairs on Monday, 19 March. Nicholas Wong, who flew from Hong Kong to attend the Porter ceremony, receives $5,000. His winning poem is titled ‘101, Taipei’.
This year’s judges – John Hawke, Bill Manhire, Jen Webb – shortlisted poems by five poets – Eileen Chong, Katherine Healy, LK Holt, Tracey Slaughter, and Nicholas Wong. They were chosen from a record field of almost 1,000 poems. Tracey Slaughter’s poem ‘breather’ was placed second. She receives $2,000 – the other three shortlisted poets $500 each.
The shortlisted poems were published in the March issue of Australian Book Review.
Nicholas Wong (Winner) is the author of Crevasse (Kaya Press, 2015), winner of the Lambda Literary Award in Gay Poetry. He is also the recipient of the Hong Kong Young Artist Award in Literary Arts in 2017. Wong has contributed writing to the radio composition project ‘One of the Two Stories, Or Both’ at Manchester International Festival 2017, and the final exhibition of Robert H.N. Ho Family Foundation Chinese Art Initiative at Solomon R. Guggenheim Museum, which will open in May 2018. He is the Vice President of PEN Hong Kong, and teaches at the Education University of Hong Kong.
Tracey Slaughter (Runner up) is a poet and short story writer from Cambridge, New Zealand. Her work has received numerous awards, including the international Bridport Prize (2014), shortlistings for the Manchester Prize in both Poetry (2014) and Fiction (2015), and two Katherine Mansfield Awards. Her latest work, the short story collection deleted scenes for lovers (Victoria University Press) was published to critical acclaim in 2016, and was longlisted for the Ockham NZ Book Awards. She is currently putting the finishing touches to a poetry collection entitled ‘conventional weapons’. She teaches at the University of Waikato, where she edits the literary journal Mayhem.
Eileen Chong is a Sydney poet who was born in Singapore of Chinese descent. She speaks English, Singlish, Mandarin, and Hokkien, but only writes in English. Chong took a Master of Letters at the University of Sydney and was a recipient of an Australian Postgraduate Award for a Doctorate in Creative Arts at Western Sydney University. She eventually left her academic studies to write poetry full-time. Her poetry collections are Burning Rice (2012), Peony (2014), and Painting Red Orchids (2016), all from Pitt Street Poetry.
Katherine Healy is a writer living in the Adelaide Hills. She has worked in education, community health promotion, and counselling. Katherine has published creative non-fiction, short fiction, and poetry. She gained her Master of Letters in Creative Writing from Central Queensland University and credits the rural city of Rockhampton for reawakening her poetic impulse. Katherine is a member of Writers’ SA. She has a poetry collection and a novel as a works-in-progress.
LK Holt lives in Melbourne, where she was born in 1982. Her first collection of poems, Man Wolf Man, won the 2009 Kenneth Slessor Prize in the NSW Premier’s Awards. Patience, Mutiny shared the 2011 Grace Leven Prize for Poetry. Her most recent collection Keeps was longlisted for the 2015 Australian Literature Society Gold Medal. Her forthcoming collection, System Garden, will be published by Vagabond Press later this year.
Click here for more information about past winners and to read their poems.
We look forward to offering the Porter Prize again in 2019.
We gratefully acknowledge the long-standing support of Ms Morag Fraser AM, and the support of ABR Patrons. The print is donated by Mr Ivan Durrant in honour of Georges Mora.