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Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
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This week, on The ABR Podcast, Paul Giles reviews Juice by Tim Winton. Juice represents a creative sidestep for the four-time Miles Franklin Award recipient, being both his longest novel and his first venture into speculative fiction. Paul Giles is Professor of English at the Australian Catholic University in Melbourne. Listen to Paul Giles with ‘”Schooled in doubleness”:Tim Winton’s enthralling new novel’, published in the November issue of ABR.
This is Macbeth reimagined as a supernatural-themed action movie for the stage, a high-speed entertainment with explosions and gunplay and plenty of special effects. Macbeth and his fellow Scots scamper about in fatigues, flak jackets, and modern full-dress uniforms, accompanied ...
... (read more)It was a job worthy of William himself: not only the ambitious scale of the project, but the speed with which it was completed. In just seven years, between 1958 and 1964, Argo Records, with the Marlowe Dramatic Society, released the complete works of Shakespeare in forty box-set LPs ...
... (read more)Dear Editor, I’m pleased that Peter Craven found so much to enjoy in The Boy behind the Curtain (ABR, December 2016). Winton always writes good – though somewhat deliberate ...
... (read more)To highlight Australian Book Review’s arts coverage and to celebrate some of the year’s memorable concerts, operas, films, ballets, plays, and art exhibitions, we invited a group of critics and arts professionals to nominate some favourites.
... (read more)Patricia Cornelius has a passion for putting unlovely characters on stage. It has almost become an end in itself. Here she chooses, as her anti-social subjects, three violent, foul-mouthed women, all from broken families or foster homes, all victims of sexual and physical abuse, all bruised down ...
... (read more)Everything, it seems, depends on Juliet: for nothing can be ill, if she be well cast. And if she not be well cast? The question is an idle one, because in Kelly Paterniti we have an excellent Juliet. She is vibrant and original. Whatever faults this new Bell Shakespeare production may have, in her ...
... (read more)