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The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Lake Pelosi

‘Where is Nancy?’ Paradoxes in the pursuit of freedom

by Marilyn Lake

This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.

 

Recent episodes:


Australian historians admire Robert Menzies. Pardon? Aren’t historians, like the rest of the Australian academy, left-wing propagandists? Don’t they all loathe the prime minister’s political role model? Regardless of how historians view Menzies’ attitudes to the monarchy, appeasement, the middle class and the Communist Party, they have reached a consensus on one point: Menzies played a significant role in the consolidation and expansion of Australia’s university sector. When Ben Chifley laid the foundation stone of the Australian National University during the election year of 1949, Menzies refused to politicise the initiative; as prime minister in 1956, he appointed a committee to inquire into the plight of Australian universities and insisted on the provision of life-giving funds by the Commonwealth government under conditions which preserved university autonomy. As his biographer, A.W. Martin, notes, ‘Menzies’ support of universities, and the university life, was never at any time in doubt’.

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Early last year, Phillip Adams interviewed the British author Pat Barker on his radio programme, Late Night Live. Pat Barker is a novelist who has journeyed into history, most famously in her Regeneration trilogy about World War I, where she fictionalises real, historical individuals. Adams asked her: ‘Which is better at getting at the truth? Fiction or history?’ Her answer was: ‘Oh, fiction every time.’ Barker is a novelist for whom violence and the fear of violence has been a recurrent, powerful theme. She argued that fiction allowed her to ‘slow down’ the horror so that she and her readers could think about it as it happened. In real life she felt that violence was often so swift and shocking that all one could do was recoil. Fiction gave her freedoms that helped her to convey truth.

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The quirky kind of pleasure’ provided by coincidence; the ‘rightness’, whether logical or poetic, of connections between seemingly unconnected people, particularly connections that are inadvertent or may remain unknown to the people concerned; the ‘pleasing symmetry’, in retrospect, of various experiences we share with another human being, even when the experiences concerned were painful ones and their circumstances tragic: these are but a few of the broader observations, incidental but also integral, strewn throughout Two Lives (2005), Vikram Seth’s recent memoir of his great-uncle Shanti and Shanti’s German-Jewish wife, Henni. Integral not only to their nephew’s story of their fortuitous coming together in Nazi Germany and subsequent lives in England, but also to the life experiences of Seth’s readers, including (in my own case, certainly) the experience of reading the book itself. Such riches as are to be found in this story of ‘strange journeys’ and ‘chance encounters’ may also be found, Seth observes at the end, ‘behind every door on every street’. For me, the coincidences, inadvertent connections and serendipitous symmetries I found in the author’s trajectory and mine came to border on the uncanny.

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The nomenclature of indigenous policy is apt to mislead, casting indigenous people as the passive objects of progressively more enlightened régimes: protection, assimilation, self-determination. This view is resonant in the history propagated by Keith Windschuttle, among others. Contesting Assimilation sets out to debunk this historically inaccurate idea and the implicit condescension in the view that denies any role for indigenous people in shaping the policy environment. As the essays in this volume attest, the development of indigenous policy can only be understood as a product of the interaction of indigenous and non-indigenous reformers, engaged in a struggle of ideas as to how best to resolve the social issues occasioned by colonisation.

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All we can say is that ABR readers are not short of a word, and thank goodness for that. The response to our reader survey has been exceptional and most heartening. To date, about four hundred people have filled out the survey. We’re still analysing the results, but ‘Advances’ can report that overall our readers have a deep affinity with ABR – or at least with the idea of ABR – and are thus keen for us to improve the magazine and to maximise its potential. Readers’ annotations, whether critical or positive, have been overwhelmingly helpful and constructive. Already we are adding new features to the magazine in response to your suggestions. Many of you, for instance, cited Film as an area of neglect: next month we launch our film column. Much work remains to be done as we continue assimilating the results. Since the surveys are still coming in, we’ll delay announcing the prize-winners until the September issue.

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Waiting.
Starched hospital gown.
Frozen present tense.
Why am I smelling
tigers?

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I love travelling overseas. I like the whole flying thing: the taxi ride to the airport wondering what I forgot to pack, the queuing at check-in, the thrill of getting through security. Then there’s the flight itself. The rush of take-off, the first free drink, the little plastic tray with little plastic dishes and plastic knives and forks – just like a picnic in the clouds. Whether the destination is familiar or exotic, I like arriving, too. But one thing I have learned over the years is that no matter where I go, I’ve been there before. Different airport, same old Nick. It must have been much the same two thousand years ago when the Roman poet Horace wrote Caelum non animum mutant qui trans mare currunt – Those who fly across the sea, change the sky but not the me. In the nineteenth century, though, if we are to believe Jem Poster, things were very different.

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This new and selected poems reminds us, if we needed reminding, just how powerful John Tranter’s cumulated work is. There is a density, an intensity, and a many-sided explorativeness that probably cannot be matched in Australian poetry. Surprisingly, at 210 poems, it is a comparatively small book and has been pretty ruthlessly selected, but there is no doubting the size of its author’s achievement.

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There is a recuperative basis to Jane Lydon’s project that the measured tones of academic writing cannot disguise and that gives this book its energy. Lydon’s subject is the Coranderrk Aboriginal Station near Healesville, which was established in the 1860s in what Lydon describes as ‘consensual circumstances’. In the first decade of operation, the Aboriginal residents at Coranderrk achieved an un-characteristic and impressive degree of autonomy. Under the sympathetic management of John Green, there was, Lydon argues, ‘space for Aboriginal objectives and traditions to co-exist with newer practices’. As an early, initially successful expression of Aboriginal self-determination, Coranderrk has already attracted much scholarly attention, but Lydon takes a new tack, examining the extensive photographic archive created during the Station’s first forty years (it closed in 1924).

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Necessary Evil by Craig Sherborne

by
August 2006, no. 283

Craig sherborne is a poet, playwright and journalist. I remember being struck by the poetic quality of a delightful passage in his memoir, Hoi Polloi (2005), where he sketches a child’s view of flirtatious men chatting up younger women at the races: ‘The Members Bar. Race Five. Time of the day when men take women by the waist.’ Peter Craven commends that book as ‘scurrilous and unashamed’ and ‘a comic outrage’. Sherborne brings the same sharp eye, but a somewhat subdued humour, to his new volume of poetry, Necessary Evil.

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