Does Australia have a soul? I have been asked this question recently, in slightly different ways, by Russian, German, and French friends. They comprehend that Australians have an identity, but their question is about something deeper than words. About what animates us at a profound level, and which is related to our identification with the land. They say Australians demonstrate many estimable qualities, but they think that, apart from the indigenous peoples, our roots are still shallow. They think we have shed our European histories but are culturally adolescent.

What is the significance of these stories told by apparently unremarkable people? One thread lies in recording times not quite past, but still enduring amidst vast changes. Their common quality is stoicism, an ability to keep going, in the face of monumental shifts, not just the technological ones that we have all faced in the last century, but huge transformations to cultural life.

On the afternoon of Tuesday 23 December 1958, all work in the remote South Australian coastal towns of Thevenard and Ceduna came to a halt for the funeral of nine-year-old Mary Olive Hattam, who on the previous Saturday afternoon had been violently raped and then bashed to death in a little cave on the beach between the two towns. On the morning of her funeral, a 27-year-old Arrernte man called Rupert Max Stuart had been formally charged with her murder: he had arrived in Ceduna with a small travelling funfair on the night before her death. He spent Christmas Day in Adelaide Gaol, penniless, illiterate and terrified. How the Hattam family spent Christmas Day can scarcely be imagined.

This is a strange assortment of pieces. To someone who doesn’t move in any gay community, the anthology’s chief problem is its fissiparousness. There has to be a distinction between gay writing and writing by authors who are gay. The majority of contributors to Graeme Aitken’s book take gay life to be their subject, but several are included because they are gay, while not necessarily employing gay themes, or doing so indirectly.