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Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
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This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.
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In my mind he is always half the age
I am now as he stands on a green shelf
of Razorback mountain. I will wait
for him forever in the backseat of a car,
my chin numbing on the window ledge ...
Miller’s intention in writing the play, he recalls in his autobiography, Timebends (1987), was not to put ‘a timebomb under capitalism’ – as one outraged woman accused on opening night – but rather to expose a ‘pseudo life that thought to touch the clouds by ...
... (read more)To celebrate the best books of 2017 Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser, Susan Wyndham, James Ley, Geordie Williamson, Jane Sullivan, Tom Griffiths, Mark Edele, and Brenda Niall.
... (read more)Famous couples from literature – from Romeo and Juliette to Bridget Jones and Mark Darcy – have enacted storylines built around rituals of courtship and the obstacles they face on the way to marrying. While the ‘marriage plot’ has never gone out of fashion – kept alive, in good part, by Hollywood’s penchant for the rom-com ...
... (read more)If you’ve done your homework and you think the answer to the ‘ultimate question of life, the universe, and everything’ is 42, you’d be wrong. You’ve read the wrong book. The actual meaning of life is not to be found in Douglas Adams’s The Hitchhiker’s Guide to the Galaxy but ...
... (read more)We admire it because it disdains to destroy us:
beauty is nothing but the beginning of terror
Chagall’s falling man, a grandfather clock, a yellow
cow with a blue violin populate an allegory of terror