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Cate Kennedy

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Anne Manne

Episode #186

Soul blindness: Clerical narcissism and unfathomable cruelty

By Scott Stephens

In this week’s ABR Podcast, Scott Stephens reviews a book by Anne Manne: Crimes of the Crimes of the Cross: The Anglican paedophile network of Newcastle, its protectors and the man who fought for justice. Why is narcissism a central theme for a book about child sexual abuse? Stephens writes: ‘without the capacity or willingness to be attentive to the humanity of another person’, unfathomable cruelty becomes possible. Scott Stephens is the ABC’s Religion & Ethics online editor and the co-host, with Waleed Aly, of The Minefield on ABC Radio National. Listen to Scott Stephens’s ‘Soul blindness: Clerical narcissism and unfathomable cruelty’, published in the May issue of ABR.

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Cate Kennedy’s name will be familiar to anyone who takes even the vaguest interest in Australian short story contests. Over the last decade, she has racked up an impressive list of awards in regional competitions, but readers are most likely to have noticed her successes in two of the most high-profile ones. In 2001 she took out the prestigious and now-defunct HQ Magazine short story competition; and in 2000 and 2001, two Age short story competitions back-to-back. With such a strong recognition factor, it seems like a smart move by Scribe to publish her first collection. Not only should it appeal to readers looking for new short fiction of established quality, but also, presumably, to the thousands of writers who enter short story competitions each year and who wish to see the gold standard.

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and you think of
the statements you have lost,
all the things unlearnt,
the words you no longer say.
It has all been one long giving away.

(David Kirkby, ‘Water’)

The six books in Series 8 of the Five Islands Press New Poets Program come highly recommended, if only by the blurbs on their own back covers. These blurbs border on the hysterical. Cate Kennedy has ‘her heart in her eyes’, while Sheridan Linnell has written a book ‘which grows great lines like buttercups’. Michael Sharkey admires Lesley Fowler’s precision but, since he goes on to say that her poems ‘conscript experience in both hemispheres’, one assumes that precision is not his suit. Even Bruce Dawe gets carried away, assuring us that, whilst David Kirkby’s poetry may look effortless, ‘its mechanisms are merely hidden’. Hidden, that is, to all except Bruce Dawe.

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