In 1959, Miles Davis entered Columbia’s 30th Street Studio in New York, with his sextet, and recorded what many consider to be the greatest jazz album of all time: Kind of Blue. It was an inspired idea to program a performance of this music, in celebration of the album’s sixtieth anniversary, at the twenty-second Melbourne International Jazz Festival ...

It was a bold move by Stonnington Jazz to program an all-female/non-binary performance for the Festival’s opening concert: War Cry. Jazz, like much else, has come in for its fair share of criticism in the #MeToo era, its historical icons – bar a few exceptions – made up mostly of male musicians ...

Now in its twenty-ninth year, the Wangaratta Festival of Jazz and Blues continues to deliver programming that is innovative, ambitious, and far-reaching. That a long-running Festival of this scale and significance takes place annually in a regional Victorian city says much about the tenacity and dedication of the Festival’s artistic team ...

One of the key issues addressed by the twenty-first Melbourne International Jazz Festival (MIJF) is the role of women in jazz. In the wake of the #MeToo movement, there has been much debate around gender equality in jazz, including inevitable references to jazz as a ‘boys’ club’. While there has never been a shortage ...

Travelling Tales is the third instalment in a series of five concerts, entitled ‘The Usefulness of Art’, by multi-instrumentalist Adam Simmons, all taking place at fortyfivedownstairs. The first, Concerto for Piano and Toy Band, was performed in March this year, and the second, The Usefulness of Art, in August. The final ...