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James Boyce

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Lake Pelosi

‘Where is Nancy?’ Paradoxes in the pursuit of freedom

by Marilyn Lake

This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.

 

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Thirty years ago, wanting to probe deeper into the question of what it meant to make home in Tasmania, I enrolled to do my honours year at the University of Tasmania. During a discussion with the secretary of the History Department about my partially formed dissertation ideas, she urged me to read a thesis by a recent graduate whose work had greatly impressed her: one Richard Flanagan. When I read the thesis and the book that came out of it, the result can best be described as a soul shift. It was not so much the information I gained but that Flanagan’s approach to Tasmania’s past released an imaginative flow in my own research, allowing it to slowly metamorphose over fifteen years into my first book, Van Diemen’s Land. I share this anecdote, not just to highlight what was lost when universities sacked most of their administrative staff, but to show how seriously Richard Flanagan has always taken history. 

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Before reading Richard Flanagan’s new book, Toxic: The rotting underbelly of the Tasmanian salmon industry, it is useful to remember that Australia’s southern isle was once the penal colony of Van Diemen’s Land. During the first fifty years of the colony’s existence, a small ruling élite achieved a near monopoly over the island’s most lucrative natural resources, the subservience of the majority convict population, and considerable profit from the public licences and patronage associated with political power. Far from these privileges ending with the cessation of transportation, self-government allowed the establishment to so entrench their interests that no substantial separation existed between the promotion of them and the functions of the state.

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It is wonderful to immerse oneself for days in the precise, elegant, passionate words of historian Inga Clendinnen (1934–2016), as this welcome collection of her writings enables one to do. Clendinnen’s distinctive voice comes through: warm, confidential, witty, and driven by a fierce intelligence. All her major writings are here – essays, articles, lectures, memoirs, and extracts from her books – deftly selected by James Boyce, a historian thirty years younger than Clendinnen and himself a highly original thinker and writer. As Boyce observes in his perceptive introduction, ‘Clendinnen’s subject was nothing less than human consciousness.’

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Richard Flanagan's new work, Toxic, is a startling exposé on Tasmania's salmon farming industry. From genetically altered 'frankenfish' to the use of dangerous chemicals to turn 'dead-grey flesh a marketable red', the industrial machinations uncovered in Flanagan's new work are stomach-churning. As James Boyce writes in his review, 'After the publication of Toxic, I doubt Tasmania will ever be the same again.'

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Gambling is part of Australia’s self-definition. The way we like to tell the story, lads at Gallipoli went over the top with a two-up kip in one hand and a rifle in the other, while exchanging tips for the Melbourne Cup ...

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The title of this book might, to an innocent observer, suggest a triumphalist history, an impression that could be reinforced by the preface, which argues that the setting up of a squatters’ camp on the banks of the Yarra in 1835 ‘had a significance far beyond the baptism of a great city’, and concludes with the ...

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Henry Lawson epitomised the weather-beaten laconic when he said: ‘Death is about the only cheerful thing in the bush.’ A century later, Bill Bryson, in Down Under (2000), picked up where Lawson left off: he defined the ‘real Australia’ as places where ‘no sane per­son would choose to live’. Somewhere in between, Patrick White created one of those dubious entities, a sweat-stained eccentric in an undaubed slab hut who told the explorer Voss that the country ahead of him was all stones and thorns, a place where anyone crazy enough to go out there might celebrate a ‘high old Mass ... with the skull of a black­feller and his own blood’.

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