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Kazuo Ishiguro

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Griffen Foley

Quicksand: Notes from a media outsider and insider

by Bridget Griffen-Foley

This week on The ABR Podcast, Bridget Griffen-Foley reviews The Men Who Killed the News: The inside story of how media moguls abused their power, manipulated the truth and distorted democracy by Eric Beecher. Bridget Griffen-Foley is the founder of the Centre for Media History at Macquarie University and has recently co-edited the fifth edition of The Media and Communications in Australia. Listen to Bridget Griffen-Foley’s ‘Quicksand: Notes from a media outsider and insider’, published in the October issue of ABR.

 

Recent episodes:


Come Rain or Come Shine 

by
27 June 2022

English Nobel Laureate Kazuo Ishiguro has had several works translated into film – notably The Remains of the Day (1993) and Never Let Me Go (2010) – but Melbourne Theatre Company’s Come Rain or Come Shine is the first stage musical based on his work. One of five short stories on the theme of music and nightfall that make up the collection Nocturnes (2009), it’s an odd little tale of friendship and failure that careens from the gently elegiac to the outright farcical, like F. Scott Fitzgerald via Michael Frayn.

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In 2017, Kazuo Ishiguro won the Nobel Prize for Literature for his masterful novels, which, in the judges’ words, uncover 'the abyss beneath our illusory sense of connection with the world'. His new work, Klara and the Sun, is his first novel published since winning the Nobel Prize. In today's episode, Beejay Silcox discusses the novel and our expectations of the author, and reads in full her review which appears in ABR's March issue.

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Klara is an Artificial Friend (AF), an android companion for spoiled tweens. She’s not the newest model, but what Klara lacks in top-of-the-line joint mobility and showy acrobatics, she makes up for in observational nous; she’s an uncommonly gifted reader of faces and bodies, a finely calibrated empathy machine. Every feeling Klara decodes becomes part of her neural circuitry. The more she sees, the more she’s able to feel.

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Arts Issue, Peter Corrigan, John Hawke, ABR Fortieth Birthday Fellowship, Buenos Aires, Kazuo Ishiguro, and a free ABR Gift Subscription.

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Fitting for a novel about a patient quest, we only fully grasp Kazuo Ishiguro’s precise intentions with The Buried Giant at the end of its final page. Until then, the reader primarily follows the elderly married couple, Axl and Beatrice, as they journey through a memory-dulling fog that hangs heavily over the land. The presence of such magical elements, inc ...