Want to write a letter to ABR? Send one to us at This email address is being protected from spambots. You need JavaScript enabled to view it..

Busted

Dear Editor,

In his essay ‘Seeing Truganini’ (May 2010), David Hansen focused on the politics around the Benjamin Law busts of Truganini and Woureddy. As an aside, he mentioned that ‘Law’s only other known bust, of Robinson himself, has been lost’. It is ironical that, as Hansen’s essay was going to print, Gareth Knapman (Museum Victoria) and Olga Tsara (State Library of Victoria) located one of the George Augustus Robinson busts in the State Library of Victoria.

Tragedy and loss

Dear Editor,

In his otherwise eloquent defence (‘Seeing Truganini’, May 2010) of Benjamin Law’s busts of Truganini and Woureddy as ‘irreducible historical objects’, secular works of art and therefore items that should be available for free discussion and exchange, and also in his sketching of the various shades of guilt accompanying this very complex issue, David Hansen, a professional curator, is, I feel, himself ‘guilty’ of looking around these works rather than at them – in fact, not ‘seeing’ them. Dr Hansen says: ‘It is not the sculpture that conveys the extinction myth, but the way the image is and has been used in another past, a later past.’ Focusing on Truganini, he details how, when her bust was made, there were still ‘two hundred full-blood Palawa living’, Darwin’s ‘Origin’ was twenty years off, Truganini was ‘smart and vivacious, young and attractive’, and she and her treaty group were ‘A-list colonial celebrities’.

Patterned play

Dear Editor,

Reviewing my On the Origin of Stories: Evolution, Cognition, and Fiction in ABR, Lisa Gorton writes, ‘Boyd shows a troubling lack of interest in the female of the human species’ (October 2009).

Endemic yowling

Dear Editor,

A footnote for Peter Craven. In 1935, the professor of English at the University of Melbourne, G.H. Cowling, declared that an Australian literature was virtually impossible. This enraged Australian writers everywhere, and provoked P.R. Stephensen’s classic The Foundations of Culture in Australia (1936). It is also the only reason anyone remembers Cowling (‘Yowling’, according to Miles Franklin), and a reminder of the then image of English departments and their hangers-on as ‘the Garrison’. J.I.M. Stewart was another. Maybe the problem is endemic.

Dear Editor,

This is a note to congratulate you on the quality of the latest Calibre Prize essays, by Jane Goodall and Kevin Brophy, in the April edition of ABR. The two pieces maintain the incredibly high standards of the Prize, of which I was honoured to be an inaugural judge.

Do we need them?

Dear Editor,

Forgive me for taking advantage of the hospitality of your letters column to reflect on the matter of our national honours. Evidently some professions are better than others at nominating and supporting worthy candidates. If eminent writers and artists tend to go unacknowledged, to some degree we have only ourselves to blame for not taking more active steps to insure that a case is made through the Australian Honours Secretariat in Yarralumla. The procedure is relatively time-consuming, but all relevant particulars may be found at www.itsanhonour.gov.au. (I do not find the name of this website particularly reassuring.)

I was going to say that this is the first time I have ever forgotten to meet somebody for dinner, but I have in fact done it before, as our forbearing editor will attest. Is this the beginning of Alzheimer’s? It was written in my diary, in red capitals. I certainly remembered on Monday. However, I drifted through yesterday in that blissful cloud of unknowing that one imagines people who take drugs pay good money for. After work I went home, warmed up the stew, and afterwards tried to find something to watch on telly – without success. I then did the laundry, got into bed and read the Times Literary Supplement. At no stage did I experience even the faintest hint of disquiet arising from the fact that I needed to be in another spot where a distinguished visitor was waiting in vain for me to arrive. What makes it so much worse is that my dinner date was staying at the Duncan, and therefore endured the solicitous inquiries and increasingly pitying glances of ancient staff and dubious fellow guests. Eventually he gave up. Part of my penance is to go and sit in the lobby.

Patrick Allington (May 2008) astutely discerned an essential characteristic – I consider it a flaw – of The Best Australian Political Writing 2008, which was edited by Tony Jones of the ABC. He did not quite nail it down, however: I think that the book would have been better described as the ‘best’ political journalism because that, overwhelmingly, is what it really is (furthermore, it is exclusively print journalism). It completely lacks academic, or what one might term ‘reflective’, writing. That is part of the reason why, as Allington correctly insisted, some of the pieces are dated and, indeed, remain rather flat on the page.