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Matt Rubinstein

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Lake Pelosi

‘Where is Nancy?’ Paradoxes in the pursuit of freedom

by Marilyn Lake

This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.

 

Recent episodes:


I realise it is a stretch, but imagine The Da Vinci Code with brains. No, that’s not fair: it obviously takes brains of a kind to top best-seller lists for several years. So try thinking of how a serious intellect, as distinct from a facility for page-turning compulsiveness, might have gone to work on it. Such effort won’t tell you all you need to know about Matt Rubinstein’s new novel, but A Little Rain on Thursday is inter alia about old manuscripts, church history, subterranean chambers, Templars and libraries – and it is compulsive reading.

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The most precious manuscript held by the Royal Irish Academy is RIA MS 12 R 33, a sixth-century book of psalms known as an Cathach (‘The Battler’), or the Psalter of St Columba. It is believed to be the oldest extant Irish psalter, the earliest example of Irish writing – and the world’s oldest pirate copy. According to tradition, St Columba secretly transcribed the manuscript from a psalter belonging to his teacher, St Finian. Finian discovered the subterfuge, demanded the copy, and brought the dispute before Diarmait, the last pagan king of Ireland. The king decreed that ‘to every cow belongs her calf’, and so the copy of a book belonged to the owner of the original. Columba appealed the decision on the battlefield, and defeated Finian in a bloody clash at Cúl Dreimhne. No trace remains of Finian’s original manuscript, if it ever existed. Only ‘The Battler’ survives.

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When reviewing Matthew Rubinstein,
One is tempted to revert to rhyme.
This opus he has undertaken
Has left me somewhat pale and shaken
At the audacity of his task.
What possessed him, one well may ask
To undertake this mammoth effort?
To play with all that he’s been taught
From Seth, Shakespeare and Tolkien too
It’s really quite a thing to do.
But does it work? Now there’s the rub …
What future for this gifted cub?

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