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Melbourne University Press

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Lake Pelosi

‘Where is Nancy?’ Paradoxes in the pursuit of freedom

by Marilyn Lake

This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.

 

Recent episodes:


Mark Colvin’s fine memoir – of a journalist’s life and as a spy’s son – was completed before the Macquarie Dictionary chose ‘fake news’ as its word of the year, and the OED and Merriam-Webster opted for ‘post truth’ and ‘surreal’. In July 2016, as Colvin was writing his acknowledgments chapter ...

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When Sheila Fitzpatrick arrived in Oxford in 1964, with a couple of years of Russian language studies at Melbourne University and a Commonwealth Scholarship under her belt, she had more than a passing knowledge of Cold War spying. Her father, Brian Fitzpatrick, was a labour historian and well-known leftist who had advised the Labor Opposition leader H.V. Evatt ...

One of the literary legacies of the financial crisis is a type of travel writing focused on the local social, economic, and environmental effects of unfettered global capitalism. There are two types of such books. Michael Lewis is perhaps the best known and most widely read author of the first kind, in which the reporter becomes a kind of tour guide to the financial freak show. In Boomerang (2011), Lewis shows how greed overwhelmed both the lenders and the borrowers of cheap money in places like Iceland, Ireland, and the United States. Reading him is like watching the circus through binoculars. The spectacle is both vividly close and comfortably distant; we enjoy the show but feel no direct involvement in the unfolding action.

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One of the literary legacies of the financial crisis is a type of travel writing focused on the local social, economic, and environmental effects of unfettered global capitalism. There are two types of such books. Michael Lewis is perhaps the best known and most widely read author of the first kind ...

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P hilosophy in the Garden is the latest book from philosopher and social commentator Damon Young. The text contributes to existing studies of the cultural and personal significance held by gardens. Young begins by noting that gardens ‘can console, calm and uplift’, as well as ‘discomfit and provoke’. This range of responses adds to the ‘philosophical value’ of these spaces. Young moves on to discuss several ‘great minds, and the gardens they loved (or loathed)’. These include the authors Leonard Woolf (best known for being Virginia’s husband), Colette, George Orwell, Marcel Proust, and Jean-Paul Sartre.

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Much travel is unpleasant (with over-expectations, too many tourists, and long distances from Australia), but even the sedentary or timorous persist with it in some ‘misguided duty to culture’, as Brendan Shanahan describes in his first collection of essays, Mr Snack and the Lady Water. Assembling journeys from the mid-1990s until now, Shanahan recounts stories that range from the inequities of post-Apartheid South Africa to his experience with so-called ‘dental tourism’ in the Philippines. The result of these peripatetic years has been, as the book’s subtitle suggests, largely uneventful: lost to the author and this reader alike.

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There’s no ASIO file on me, not even a mention in someone else’s file, according to my keyword search. It’s almost insulting, given that I spent several years in the Soviet Union in the late 1960s and later, as a Soviet historian in the United States in the Cold War 1970s, was suspected of being soft on communism. My father, the radical Australian historian Brian Fitzpatrick, had an ASIO file, of course. They even trailed him in the 1950s – or at least trailed someone they thought was him, a man of ‘repulsive appearance’ wearing a hat and an overcoat, neither of which he possessed. He would have been tickled both by the surveillance and the blunder. They had a file on my mother, Dorothy Fitzpatrick, too, although they got her middle name wrong. It wasn’t from her days of real left-wing activity in the 1930s, but from the 1950s, years that were among her most miserable and least political, when she was doing a teachers’ training course at Mercer House and then teaching at the Melbourne Church of England Girls’ Grammar School. To ASIO she was an also-ran to suspected communists of more dominant personality like Gwenda Lloyd; probably they included her mainly because of her marriage to Brian. ‘Same views as her husband’, one informant reported, which hardly does justice to a natural contrarian.

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To go into any bookshop, if you can still find one, is to be amazed at the space devoted to militaria: endless shelves of books not just about the two world wars and Vietnam, but all wars in all times. This vicarious fascination with war echoes another phenomenon of our time: the rise of overt public respect for soldiers.

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By its title, Tales from the Political Trenches promises reportage from the front line, eyewitness accounts of what really happens in the hidden zones of the political battlefield. The tales told here follow a rollercoaster sequence of political events: the meteoric rise of Kevin Rudd, Maxine McKew’s triumph over ...

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In 2008 I was asked to write speeches for then-Prime Minister Kevin Rudd. It was a tempting offer. The trouble was that I would be based in the Department of Prime Minister and Cabinet (PM&C), not the Prime Minister’s Office (PMO), and would work as a public servant, not a political staffer ...

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