Mireille Juchau

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**The ABR Podcast**

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Episode #187

‘why your hair is long & your stories short’

By Tracey Slaughter

With the publication of the May issue, ABR was delighted to announce the winner of the 2024 Calibre Essay Prize. Tracey Slaughter – from Aotearoa New Zealand – has become the first overseas writer to claim the Calibre Prize with her essay ‘why your hair is long & your stories short’. We are thrilled Tracey Slaughter could join the ABR Podcast to read her winning essay. Listen to Tracey Slaughter with ‘why your hair is long & your stories short’, published in the May issue of ABR.

Recent episodes:

The Vulnerables by Sigrid Nunez

by Mireille Juchau •

January-February 2024, no. 461

Mireille Juchau reviews ‘The Vulnerables’ by Sigrid Nunez

What does it mean to narrate the humiliations of ageing, loneliness, and death in the first person when your background is working class? For such a writer, saying ‘I’ is political too, said Annie Ernaux in her Nobel Prize lecture, because it involves claiming an authority rarely granted in other parts of life. Ernaux uses her incendiary, affectless ‘I’ not just to recount one individual experience, but to transcend it. For ‘I’ to speak to the reader it must become, she says, ‘transpersonal’.

... (read more)

Open Page with Mireille Juchau

by Australian Book Review •

January-February 2016, no. 378

I have a recurring dream about discovering an enticing space in my own home – a basement or garden – always just out of reach. Its residue is an elated sense of creative possibility. I like the sign the symbolist poet Saint-Pol-Roux put on his door before sleep: Poet at work.

... (read more)

The World Without Us by Mireille Juchau

by Susan Lever •

September 2015, no. 374

Susan Lever reviews 'The World Without Us' by Mireille Juchau

From the opening pages of Mireille Juchau’s new novel, The World Without Us, we know we are in the hands of a poetic writer in control of language and ready to invest every sentence with resonant detail. In this scene, two of the central characters encounter each other at a river above a waterfall:

Now the water was strung with ...