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Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.
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This week on The ABR Podcast Geordie Williamson reviews Highway 13, a collection of short stories by Fiona McFarlane. Each story is concerned with murder, that ‘ultimate de-creative act’, and might be thought of as true crime, given the real-world familiarity of characters, places, plots. Geordie Williamson is a literary critic, editor and the author of The Burning Library: Our greatest novelists lost and found. Listen to Geordie Williamson’s ‘A chorus of souls: Fiona McFarlane’s discursive theodicy’, published in the September issue of ABR.
My husband is proud to claim that in the 1950s, when they were both employed at Covent Garden, he was paid a larger salary than Joan Sutherland was. Fresh from Sydney, she had joined the company in 1952, and was soon appearing in small roles, including Clotilde, opposite Maria Callas’s Norma. This was followed by several years of steady progress and major roles (Agathe, Antonia, Micaela), but no great public success. My husband watched Joan’s progress from the beginning of her time and realised, as did others, that here was a great singer in the making. Then, in February 1959, Sutherland, directed by Franco Zeffirelli, made her triumphant début as Lucia di Lammermoor, and everything changed dramatically, including her fees.
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