When Germaine Greer’s The Female Eunuch was published in 1970, it created a sensation. Within six months, it had almost sold out its second print run and had been translated into eight languages. Simone de Beauvoir’s The Second Sex, the influence of which critics see in Greer’s book, had come out in France in 1949. The Feminine Mystique, b ...

Late in 2013, the Griffin Theatre in Sydney revived John Romeril’s The Floating World as its annual production of an Australian classic. The play is now forty years old, and unfamiliar to contemporary audiences who would have been lucky to see its first performances in the tiny Pram Fa ...

People who go in for the arts are often advised Don’t give up your day job. But what’s a suitable day job for a poet? A century ago many Australian poets made a meagre living as freelance writers for newspapers and magazines. Some even took up journalism full-time, writing their verses on the side. The old Bulletin, one of the wellsprings of Austra ...

My postgraduate student frowned. ‘The Gathering? Isn’t that the one where someone sets a dog on fire?’ Spoiler alert: indeed it is. It is the book’s most memorable scene; it is certainly the most horrific. My postgrad had read Isobelle Carmody’s 1993 novel in high school and that was the first memory of it which surfaced. The scene shocked readers a ...

In his essay ‘The Fiction Fields of Australia’ (1856), Frederick Sinnett conducts an inquiry ‘into the feasibility of writing Australian novels; or, to use other words, into the suitability of Australian life and scenery for the novel writers’ purpose and, secondly, into the right manner of their treatment’.