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Sarah Holland Batt

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Giles

‘Schooled in doubleness’: Tim Winton’s enthralling new novel

by Paul Giles

This week, on The ABR Podcast, Paul Giles reviews Juice by Tim Winton. Juice represents a creative sidestep for the four-time Miles Franklin Award recipient, being both his longest novel and his first venture into speculative fiction. Paul Giles is Professor of English at the Australian Catholic University in Melbourne. Listen to Paul Giles with ‘”Schooled in doubleness”:Tim Winton’s enthralling new novel’, published in the November issue of ABR.

 

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The Jaguar by Sarah Holland-Batt

by
June 2022, no. 443

I first encountered Sarah Holland-Batt’s poem ‘The Gift’ in The New Yorker. It begins, ‘In the garden my father sits in his wheelchair / garlanded by summer hibiscus / like a saint in a seventeenth-century cartouche’ – an unremarkable opening, I thought, to a poem of personal anecdote, a genre too ubiquitous among our contemporaries. Rereading the poem in the context of her third collection, The Jaguar, I became acclimated to her style and manner, and admired the alertness of its verbal performance. If the new book remains a personal memoir, narrating the devastating illness and death of her father, it is also charged throughout with a strong writer’s intelligence and vulnerability. ‘I will carry the gift of his death endlessly,’ she writes, ‘every day I will know it opening in me.’

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Beside the fountain’s troupe of sun-bleached rubber ducks, / in the gardens, under a shade sail, / my father is crying about Winston Churchill. / Midway through a lunch of cremated schnitzel ...

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Sarah Holland-Batt’s Fishing for Lightning is a book about Australian poetry. As such, it is a rare, and welcome, bird in the literary ecology of our country. It is welcome because poetry, like any other art form, requires a supportive culture that educates and promulgates. Not that Holland-Batt, herself one of our leading poets, is ‘merely’ didactic, or a shill for the muses. Holland-Batt, who is also an academic, writes with great authority and insight, and she is a fine stylist, penning essays that are packed with humour and playfulness. These essays cater for all kinds of audiences, from newcomers to poetry experts, which is no small feat.

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In the garden, my father sits in his wheelchair / garlanded by summer hibiscus / like a saint in a seventeenth-century cartouche. / A flowering wreath buzzes around his head – ...

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To hell with what you think of me.
I’ve started drinking martinis at three.
I wake, I walk, I write, I sleep.
I snooze the alarm. I doze. I read.

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As my plane drops down in turbulence

I think of you and of Salt Lake City,

I think of ice stealing over the Great Lakes

and of Omaha and of adamant plains.

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Sarah Holland-BattSarah Holland-Batt is the author of two award-winning books of poetry, Aria

Sarah Holland-BattSarah Holland-Batt is the author of three volumes of poetry, most recently 

Sylvia Plath wrote her last letter to the American psychiatrist Dr Ruth Beuscher a week prior to her suicide on 11 February 1963. In it, Plath castigates herself for being guilty of ‘Idolatrous love’, a concept she drew from psychoanalyst and philosopher Erich Fromm’s The Art of Loving. ‘I lost myself in Ted instead of finding myself ...

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What are the limits of maternal love? How do children fare in its absence? Is mothering a socialised behaviour or a biological impulse? These are the questions Alice Nelson pursues in her second novel, The Children’s House, which draws its title from the name given to the separate quarters ...

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