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Stephen Edgar

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Shelley Stenhouse

Episode #199

‘M.’

by Shelley Stenhouse

This week on the ABR Podcast, we continue to celebrate the 2024 ABR Elizabeth Jolley Short Story Prize with the second of three episodes featuring the shortlist. This week’s story is ‘M.’ by Shelley Stenhouse. The judges had this to say about ‘M.’: ‘Wittily told, this rollicking tale set in New York City is at once a character study of the garrulous oddball M and a tragicomic portrait of the narrator herself, whose compulsions and choices see her avoiding the everyday joys of her life as a mother.’ Shelley Stenhouse, a New York City-based poet and fiction writer, recently won the Palette Poetry Prize. Listen to ‘M.’, published in the August issue of ABR.

 

 

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We welcome entries in the third ABR Poetry Prize. In its short life, this competition has become one of the most prominent of its kind in the country. Poets have until December 15 to enter the prize, which is worth $2000. Up to six poems will be shortlisted in the March 2007 issue; the winner will be announced one month later. Full details appear on page 42. The entry form is also available on our website, or on request. The previous winners were Stephen Edgar and Judith Bishop. Advances was pleased to see that Judith Beveridge has included Edgar’s prize-winning poem ‘The Man on the Moon’ in The Best Australian Poetry 2006 (UQP) — one of eight poems in the anthology that were first published in ABR.

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In ABR's seventh 'Poem of the Week' Stephen Edgar discusses and reads his poem 'Man on the Moon'.

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Ventriloquist’s Dummy
Jennifer Harrison

I

          I can’t tell where I’m going
but shall I memorise the shape of streets
          the slope of bridges, the vertigo?
today I’m carried somewhere new –
I’m lost, in pieces, and I rattle

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Stephen Edgar’s fifth volume, Lost in the Foreground, is a book of marvels, both technically and in the elegant, magisterial reach of its content. He is wonderfully inventive, and his complex rhyme schemes and forms are achieved with such precision and finesse that one can only conjecture as to how long each piece must have taken to become so lovingly and artfully realised.

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