Joel Deane

Matthew Condon is fast becoming the George R.R. Martin of Australian true crime. Like the Game of Thrones author, Condon is part-way through the delivery of a saga of epic proportions. However, whereas some fantasy fiction fans doubt that Martin will ever conclude his A Song of Ice and Fire series, everyone knows how the story of corruption in Joh Bjelke-Petersen-era Queensland ends. But knowing the ending doesn’t lessen the shock of the telling. Jacks and Jokers, the second instalment of Condon’s trilogy (the conclusion, All Fall Down, is slated for release in 2015), sprawls and appals in equal measure.

Talk about unfortunate timing. On 10 December 2012, the New Yorker ran a lengthy profile on Elisabeth Murdoch, the older sister of Lachlan and James. Elisabeth, forty-four, lives in Britain, where – while her siblings have been marked down for everything from, in Lachlan’s case, One.Tel to Ten Network and, in James’s case, MySpace and phone hacking – she has quietly built a reputation as a savvy television producer and businesswoman. The profile is a public relations hosanna – unsurprising given that Elisabeth’s husband, Sigmund Freud’s great-grandson Matthew Freud, is a flack with his own PR firm – with the title declaring its subject to be, in capital letters, THE HEIRESS. The subheading simply states: ‘The rise of Elisabeth Murdoch.’

In 2008 I was asked to write speeches for then-Prime Minister Kevin Rudd. It was a tempting offer. The trouble was that I would be based in the Department of Prime Minister and Cabinet (PM&C), not the Prime Minister’s Office (PMO), and would work as a public servant, not a political staffer ...

On 7 November, Paul Keating appeared on ABC TV’s 7.30 to promote his new book of speeches,  After Words. Keating’s response to Leigh Sales’s first question about political leadership was instructive:

A Norwegian giant stands astride the deck of a whaling ship trapped in the Arctic ice, watching the other vessels in the fleet burn. Axe in hand, he patiently awaits the arrival of some disgruntled Eskimos, whom he expects to have to fight. Plagued by visions of a lost love, the Norseman commits the tale of his violent life to paper. One hundred and forty years later, a gaunt, dishevelled man climbs into Farrell’s taxi. He carries with him a box containing an ancient woman’s head, a dildo carved from whalebone and the journal of Ole Olavssen, the Norseman. The decrepit man, Bob Kilmartin, instructs Farrell to drive. Despite having just been beaten up by a transvestite colleague on Collins Street, Farrell obliges, desperate for the fare.