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Review

A personal renaissance, with a raison d’ệtre of such significance that it shifts the reverie of the characters in this book into a dimension of former youthfulness and revitalises the possibilities that seem to vanish with age: On a Wing and a Prayer is about friendship, loyalty and respect in the lives of three ordinary people drawn together under extraordinary circumstances in a small country town in central New South Wales. It confounds the adage that once you have reached a certain stage in life there is no further use for you.

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Black Widow by Sandy McCutcheon

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August 2006, no. 283

‘Black Widow’ is the name given to the female Chechen rebels, who were widows of insurgents killed by the Russian army in Chechnya. They went on to serve under Shamil Basayev, leader of the Beslan school siege in September 2004. Sandy McCutcheon has set his latest political thriller two years later, in a story of revenge orchestrated by six female teachers at Beslan, who take on the guise of black widows to turn the tables on the hostage-takers.

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Sometimes, the middle ground is a good place to be. The Shifting Fog is classy commercial fiction that sits happily in the space between literary fiction and mass-market trash. It might occupy the middle ground, but it’s far from middle of the road. First-time author Kate Morton (recipient of the six-figure sums for deals in eleven countries that publisher Allen & Unwin is happily hyping) has skilfully and intelligently created a novel that is indeed, as the publicity has it, ‘compulsively readable’.

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Microtexts by Martin Langford

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August 2006, no. 283

Microtexts (Island Press, $21.95 pb, 93 pp) is a set of aphoristic prose pieces grouped under the following chapter headings: ‘Poetry and the Narrative of the Self’; ‘Poetry and Poetics’; ‘Writing’; ‘Art’; ‘Reading’; ‘Critics and Criticism’. It is not academic literary theory, but personal and professional musings by a poet with five collections to his credit. Martin Langford’s poetry adopts a lyric voice which, to my ear, sounds variations on the ground-bass of a slightly lugubrious, melancholy tone. It is idiosyncratic and not unpleasant: ‘time we outwitted / behaviour, the sad primate life’ (from his poem ‘Lake Coila’).

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Early in his book, Rod Barton describes his reaction to two events that showed what kind of intelligence officer he would become. In the late 1970s he was asked by the Joint Intelligence Organisation to deter-mine the winners and losers in a nuclear exchange between the superpowers. But how, he asked, could this be done without taking into account environmental, political, medical and psychological factors? The other occasion was when Barton contradicted American military intelligence assertions that ‘yellow rain’ falling on Hmong tribesmen in Laos in the late 1970s was a Soviet-supplied chemical warfare agent. His own investigations showed it was bee droppings. Prime Minister Malcolm Fraser backed his findings despite pressure from US Secretary of State Alexander Haig to endorse the American version. Barton’s view prevailed.

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‘The best preserve of our humanity’, Ian Britain writes in his editorial to this edition of Meanjin (Only Human, 63:1, edited by Ian Britain $19.95 pb, 236 pp), remains words. Whatever ‘our humanity’ is, it is protected, kept alive, maintained, conserved – in language. ‘[C]ertainly’, he clarifies, in the ‘honed, considered words of the good … literary artist’, but perhaps even in ‘verbiage’.

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One thing is certain: Mussolini would not like this book. Indeed, it is exactly the sort of writing that would rouse Il Duce’s ire. In the last disintegrating days before his ignominious end, when Mussolini realised that his erstwhile allies, the Germans, had outmanoeuvred him, that members of his inner circle were frantically making arrangements to flee Italy, and that partisan uprisings had set Lombardy and the Po Valley alight, the archbishop of Milan offered what was supposed to be a soothing observation: that Il Duce should take heart that he would be remembered by history. Enraged by this assurance, Mussolini declared: ‘History, don’t talk to me of history. I only believe in ancient history, in that which is written without passion and long afterwards.’

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When it was reported in 2005 that nine Australians had been arrested in Bali on charges of trafficking heroin, the public response was scornful and incredulous. In the wake of the media saturation of Schapelle Corby’s trial, such blatant attempts to flout the severe drug laws of Indonesia, with quick cash the only apparent incentive, seemed incomprehensible. As the story filtered through the press, a division appeared in ‘The Bali Nine’, as they were swiftly dubbed, between the mules – Martin Stephens, Renae Lawrence, Scott Rush and Michael Czugaj – who were apprehended with more than eight kilograms of heroin strapped to their bodies, and other members of the group, most of whom had not left the country before. These were Andrew Chan and Myuran Sukumaran, identified as the ringleaders of the operation, and Matthew Norman, Si Yi Chen and Tan Duc Thanh Nguyen, who were arrested in their hotel room with more than 300 grams of heroin. The mules claimed that Chan and Sukumaran had made repeated threats against their families should they not co-operate; and that they and Matthew Norman were innocent victims of an international drug-trafficking ring.

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A decade ago, security was the poor cousin to economics in policy studies and public discussion.  When John Howard took office in 1996, we were in the midst of an era of euphoric globalisation in which the popular imagination was dominated by wonder at the spread of the free market, growing volumes of trade and finance, and seemingly ever-rising wealth and standards of living. As Paul Kelly has observed, Howard realised early that in this context a government’s perceived capacity to manage the economy – balancing budgets, reducing unemployment, keeping interest rates down – was, to the mind of the electorate, the prime indicator of its fitness to govern. Australians, living through the longest economic boom in decades, had become fearful of a return to the days of economic turmoil and uncertainty. In this era, national security was a most unfashionable topic – at best a distraction, at worst a distortion of the ‘beautiful numbers’ delivered by globalisation.

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One of the three central protagonists of Neil Chenoweth’s book, Graham Richardson, famously titled his autobiography Whatever It Takes (1994). Despite the title’s hints at candour, Richardson’s book eluded all but the most passing references to Kerry Packer. As Chenoweth points out in his alarming new book, this, from the man John Button had dubbed the Minister for Kerry Packer, represented storytelling at its most elliptical. More than Richardson’s book, Chenoweth presents the tale of Whatever it Took. It is not an edifying spectacle.

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