Polly Simons
Polly Simons is a Sydney-based arts writer, critic, and bookseller. A former editor with News Limited, she has written for Time Out (Sydney and Melbourne), The Sunday Telegraph, The Australian, and stagenoise.com among others. She is a former judge of the Sydney Theatre Awards.
‘When I first began reading Nam Le’s Love and honour and pity and pride and compassion and sacrifice, I was sceptical: a story about a writer writing a story? A writer at the Iowa Writer’s Workshop, no less? Isn’t this a little self-indulgent? Hasn’t this been done before?’
So begins Fiona McFarlane in her essay for Reading Like an Australian Writer, a new collection of writings on wr ... (read more)
Picture this: it’s 7pm. The news begins. There’s the jingle, a few stories about Australian political goings-on, then a piece about a war-torn country overseas. What do you see? A foreign correspondent, flak jacket on, standing in a bombed-out street or a hospital ward full of bloodied bodies. They speak for a few minutes, describing the horror. The news moves on. We go back to our lives. But ... (read more)
Ruth Park’s novels were as much about Sydney as the people who live there. In Park’s famous The Harp in the South trilogy, the slums of Surry Hills are almost as lively and characterful as the Darcy family, whose story it relates. In Playing Beatie Bow, the changing face of The Rocks underpins every part of the narrative.
... (read more)
Rivers seem to be something of a preoccupation for Melbourne writer Anna MacDonald. They feature prominently in her 2019 essay collection, Between the Word and the World, and are both setting and centrepiece to her first novel, A Jealous Tide.
For MacDonald, rivers – whether London’s Thames or her beloved Yarra – are so much more than a way to navigate a city. They are also an invitation to ... (read more)
My Brilliant Career may not be Belvoir’s first post-pandemic show, but it’s surely the most joyous. Hot on the heels of a government exemption raising audience numbers to seventy-five per cent capacity, the mood on opening night was exuberant – almost as exuberant as Sybylla Melvyn, My Brilliant Career’s impossible yet impossible-not-to-love protagonist.
Miles Franklin’s autobiographica ... (read more)