Anwen Crawford
Anwen Crawford is the author of No Document (Giramondo, 2021), shortlisted for the 2022 Stella Prize, and Live Through This (Bloomsbury, 2015). Her work has appeared in publications including The Monthly, The New Yorker, The White Review and Sydney Review of Books, and in 2021 she won the Pascall Prize for Arts Criticism. She is a long-time zine maker and collaborative visual artist. She lives in Sydney.
Belgian theatre director Ivo Van Hove has an appetite for bringing cinema to the stage. As artistic director of the Toneelgroep Amsterdam since 2001, he has directed stage adaptations of three Ingmar Bergman films, made work inspired by Pier Paolo Pasolini and Michelangelo Antonioni, and staged a version of John Cassavetes’ 1977 drama, Opening Night. In 2017, for the National Theatre, London, he ... (read more)
‘I’m starting to see why Canada is so appealing,’ says Deb (Lily James) to her older sister Ollie (Tessa Thompson) as the two of them sit on the kitchen floor of their mother’s house trying to figure out their lives. Their mother has died after an unspecified, difficult illness; Ollie was her live-in carer and still sleeps on the sofa, out of habit and grief. But now the bank is about to f ... (read more)
Though it begins with an elaborate disclaimer regarding its status as a work of fiction, Paolo Sorrentino’s Loro (aka Them) is manifestly a portrait of Silvio Berlusconi, former prime minister of Italy, media tycoon, populist, authoritarian, and playboy. Befitting its subject, the film is showy and often crude, filled with extended party scenes evoking the debauchery that surrounded Berlusconi. ... (read more)
Charley (Charlie Plummer), the vulnerable teenage protagonist of Lean On Pete, is always on the move. We first see him jogging at dawn, past suburban streets and out towards to the local racecourse. The morning light is benevolent; the camera keeps a smooth distance: all is promise and potential in Charley’s life, or should be. But his home is threadbare and his relations are meagre. In lieu of ... (read more)
I began to lose count of the murders in You Were Never Really Here around the halfway mark. The film is only ninety minutes long, so quite a lot of carnage is crammed into it. Sometimes, the violence takes place just past the edge of the frame. Several gruesomely bloody scenes are interspersed with many bloodless yet no less visceral ones. The film’s opening shot shows a man with a plastic bag t ... (read more)
BlacKkKlansman begins with Vivien Leigh as Scarlett O’Hara in Gone with the Wind (1939), picking her way through a mire of injured Confederate soldiers. Then it cuts to Alec Baldwin as a fictional mid-twentieth-century eugenicist spewing racist pejoratives and bilge about ‘the International Jewish Conspiracy’. Footage from D.W. Griffith’s profoundly racist and egregiously influential film ... (read more)
The sky is a wintry grey when Ronit (Rachel Weisz), a photographer, arrives in London, recalled to her hometown from New York by the death of her father, a local rabbi. The Orthodox Jewish community to which she returns dresses sombrely, in shades of black, and comports itself strictly. Dovid (Alessandro Nivola), a childhood friend and her father’s protégé, steps away from Ronit when, impulsiv ... (read more)
BPM, or 120 battements par minute, to give its more expansive French title, is not the first film to be made about the charismatic activist group AIDS Coalition to Unleash Power, better known as ACT UP, but it is the most lyrical piece of cinema so far to have emerged from ACT UP’s history. ACT UP, founded in New York, in 1987, has long been recognised for its direct actions – occupying the Ne ... (read more)
Andrey Zvyagintsev’s Loveless is a cold, despairing film, befitting its title. It opens and closes in the depths of winter, with wide, lingering shots of an ice-bound river; in between, it delivers a portrait of a marriage that has hardened into estrangement, with a child lost to the void that exists between his parents. No character is improved by their trials, much less redeemed. No thaw ever ... (read more)