Archive

This is an auspicious time to reissue a book by a Cypriot-Australian in a bilingual edition. Awareness of Cyprus in Australia, and of Australia in Cyprus, is at unprecedented levels following the spectacular performance in the 2006 Australian Open Tennis Championship of both Marcos Baghdatis and his colourful crowd of supporters from the Cypriot subset of the Melbourne Greek community. Bilingual (even trilingual) editions are the hallmark of Owl Publishing, but this fifteenth volume in its ‘Writing the Greek Diaspora’ series represents a new departure in its inclusion of high-resolution artwork: section four of the collection comprises sixteen photomontages, mostly statuesque combinations of objects and body parts.

Pham Thi Hoai, now a resident of Berlin, writes about her Vietnamese homeland with a sardonic yet affectionate eye. While not overtly political, these short stories explore every-day life in a restricted society that is opening slowly and selectively. Sunday Menu is full of observations that, without preaching, flag the complexities of modern, modernising Vietnam. For example, regarding a group of locals touting for tourist dollars on a beach, the narrator in ‘The Toll of the Sea’ writes: ‘My heart fell heavy as I saw in each of them a former teacher now looking for a better income.’ Such asides represent a challenging form of dissent. As translator Ton That Quynh Du writes in his helpfully contextual afterword,: ‘her detractors have charged her with holding an “excessively pessimistic view” of Vietnam, of abusing the “sacred mission of a writer” and even of “salacious writing”.’

Canberra-based Dorothy Johnston is an accomplished writer who has twice been short-listed for the Miles Franklin Award. Her talent for spare, casually evocative prose and slyly complex characters shines through in this surprisingly elegant novel about a single mother who turns to prostitution to earn a living.

After twenty years in the Tokyo police, Inspector Aoki knows the ‘beeping of the excrement detector in his brain was a definite warning that shit was coming down the freeway’. His declaration is indicative of this convoluted plot. Aoki, after seventeen months heading an excruciating investigation into the corrupt ‘Fatman’, a high-profile government official, discovers that his case has been irrevocably shut down. Quicker than you can shout ‘yakuza’, his journalist associate is murdered, his father dies of heart failure, his wife commits suicide and Aoki is placed under observation in a psychiatric hospital. Suspended from duty, he is sent to recover at the Kamakura Inn, an exclusive mountain retreat outside the city. But his sojourn is far from therapeutic, and Aoki is soon wrestling both the temptation of beautiful geisha and the danger of a bloodthirsty murderer running loose through the guest house.

Jan Senbergs’ art is not easy to like. Sombre, brutal, austere in colour, it nevertheless represents one of the most sustained meditations on the industrial landscape in Australian art. Patrick McCaughey, well-known gallery director, academic and critic, has written about the artist and his work in a way that deliberately blurs biography, autobiography and visual critique. The result is an engaging and unusually meticulous account of the evolution of an artistic career, documenting the emergence of ‘Senbergs country’ as a force in the Australian aesthetic imagination.

Those young people of today, with their iPods and mobile phones, their tight-knit friendship groups and brief romances, their social activism and distrust of big-P Politics, their yearning for independence and need to conform … what’s really going on in their minds? Not much that sets them apart from the rest of mainstream Australia, or so it appears from Rebecca Huntley’s The World According to Y, where the author’s 18-to-25-year-old interviewees register with few exceptions as cheerful, pragmatic and keen to get on with their lives, however uncertain the future.

Debates about the balance between life and work are currently running hot in the media, government and the publishing world. Don Edgar, foundation director of the Australian Institute of Family Studies, delivers a passionately argued and engagingly written analysis of the various issues currently affecting work culture and the family. He focuses on women juggling motherhood and work, the masculine workplace culture that considers family issues none of its concern, future directions for children’s learning and development, the challenges posed by our ageing population and the continuing erosion of traditional full-time work.

Conservative columnist Mark Steyn has mocked modern progressives for having no enemies, just friends whose grievances are yet to be accommodated. The decision as to whether grievances are best accommodated or confronted is one safely made only if informed by a deep understanding of the particular discontent. Brendon O’Connor (Senior Lecturer in the Department of Politics and Public Policy at Griffith University) and Martin Griffiths (Associate Professor of International Relations at the same institution) have edited a collection of thoughtful and lively essays aimed at increasing our understanding of the assortment of grievances, anxieties and criticisms known as anti-Americanism. This timely volume, comprising a dozen contributions by respected scholars from the US, Britain and Australia, largely succeeds in this aim.

Berlin, 1948; the Iron Curtain has slammed shut, bisecting a city still pitted and scarred from the calamities of World War II; the Soviet blockade of Berlin and the subsequent Allied airlift are imminent. Around these tectonic moments in history and politics, first-time novelist Greg Flynn sets his thriller, The Berlin Cross.