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Competitions and programs (110)

Payment Complete – Elizabeth Jolley Prize

03 May 2021 Written by Australian Book Review

Success

Thank you for entering the Elizabeth Jolley Short Story Prize.

If you created a new account to enter, you can now sign in with the Username and Password you entered. Simply click 'Sign In' in the top left-hand corner to enter your details. We hope you enjoy reading our extensive archive going back to 1978.

If you wish to submit another entry to the Elizabeth Jolley Short Story Prize, click here to return to the entry form. Remember to first sign in with your new ABR account before entering multiple entries.

ABR Editorial Cadetship

26 February 2021 Written by Australian Book Review

Applications are now closed for the ABR Editorial Cadetship.

The Cadetship (supported by the Judith Neilson Institute for Journalism and Ideas) is a full-time twelve-month position, starting in April 2021. The total package is worth $45k to $50K per annum (plus superannuation).

pdfPosition description and application guidelines

 

 


 

'I feel a tremendous sense of pride to have worked for a prestigious literary and arts journal that upholds exemplary editorial standards while fostering emerging talent.'

Dilan Gunawardana
ABR Deputy Editor (Digital) 2017-2018, ABR Editorial Intern 2016–17

‘Being on the staff of a magazine of the calibre of Australian Book Review, with its long history in Australian letters and fine editorial standards, is a singular experience, and it has no doubt been the defining event of my professional life thus far.’

Milly Main
ABR Ian Potter Foundation Editorial Intern, 2012

 

‘As the recipient of an internship at Australian Book Review in 2009, I know the benefits of such a program firsthand. My internship was an unqualified success, and resulted not only in an increase in my editing knowledge and skills, but also in full-time employment.’

Mark Gomes
ABR Australian Publishers Association Editorial Intern, 2009

2021 Jolley Prize Judges

07 January 2021 Written by Australian Book Review

Gregory DayGregory Day is a novelist, poet, and musician from the Eastern Otways region of southwest Victoria, Australia. His latest novel, A Sand Archive, was shortlisted for the 2019 Miles Franklin Award. Day is a winner of the Australian Literature Society Gold Medal and was joint winner of the 2011 ABR Elizabeth Jolley Short Story Prize for 'The Neighbour's Beans'. In 2020, Day was awarded the Patrick White Prize for his ongoing body of work.

 

 

 

 

 

Melinda Harvey

Melinda Harvey is a book critic who has written for a wide variety of publications, including Australian Book Review, since 2004. She is on the judging panel of the Miles Franklin Literary Award (2017-present) and works on the Stella Count, which assesses the extent of gender bias in Australia’s book pages annually (2014-present). She currently holds a JUNCTURE Fellowship for Mid-Career and Established Critics at the Sydney Review of Books and is Lecturer in English at Monash University.

 

 

 

 

 

Elizabeth Tan(photograph by Leah Jing McIntosh)Elizabeth Tan is a writer from Perth. She is the author of two books: Rubik (2017), a novel-in-stories, and Smart Ovens for Lonely People (2020), a short story collection which won the 2020 Readings Prize for New Australian Fiction.

Camilla Chaudhary wins the 2021 ABR Elizabeth Jolley Short Story Prize

18 December 2020 Written by Australian Book Review

Australian Book Review is delighted to announce that Camilla Chaudhary is the winner of this year’s ABR Elizabeth Jolley Short Story Prize for their story ‘The Enemy, Asyndeton’. She receives $6,000. This year’s prize – worth a total of $12,500 – received 1,428 entries from thirty-six different countries. Lauren Sarazen placed second and receives $4,000 for her story ‘There Are No Stars Here, Either’, and John Richards placed third and receives $2,500 for his story ‘A Fall from Grace’.

The 2021 Jolley Prize was judged by Gregory Day, Melinda Harvey, and Elizabeth Tan. The judges’ report, as well as the full longlist, can be found below. 

Each of the shortlisted stories are published in the 2021 August issue (purchase single issues here). ABR extends a warm congratulations to Camilla Chaudhary, Lauren Sarazen, and John Richards, as well as to the longlisted entrants. Thank you to all who entered this year’s prize. We look forward to receiving your entries next year. 

 

Winner

Camilla Chaudhary
for The Enemy, Asyndeton

Camilla ChaudaryCamilla Chaudhary was born in Birmingham, UK, to British and Pakistani parents. After graduating from Cambridge University, she worked briefly as a literary publicist in London before moving into social policy research. She started writing fiction while her children were young and has just completed a second novel, Notes on a Jilting. She currently lives in Sydney with her husband and three children and continues to combine her career in research with writing.

  

Second

‍Lauren Sarazen
for There Are No Stars Here, Either

lauren.sarazen copyLauren Sarazen is a writer who lives in Paris, France. Originally from Southern California, she graduated from Chapman University with a BFA in Creative Writing and received her MA in Literature from Université Sorbonne Nouvelle. Her words have appeared in Hobart, Vol. 1 Brooklyn, The London Magazine, The Washington Post, VICE, Elle, Air Mail, and more.

 

Third

J‍ohn Richards
forA Fall from Grace’‍

John RichardsJohn Richards has previously lived in Manchester, London, and Singapore. He now lives in Brisbane with his wife and four children. In a previous life he was a lawyer. ‘A Fall from Grace’ is his first published work of fiction. He is writing more short stories and a novel.

 

 

 


 

Full longlist

‘What Happened on Djinn Island’ by Shastri Akella (USA)
‘A Dog’s Life’ by Dominic Amerena (Greece)
‘The Funeral of Maria Luisa Rafaella Ciervo’ by Melinda Borysevicz (Italy)
‘The Enemy, Asyndeton’ by Camilla Chaudhary (New South Wales) – Shortlisted
‘The Memorial’ by David Cohen (Queensland)
‘Ghost’ by Daryl Li (Singapore)
‘Furniture’ by Jennifer Mills (South Australia)
‘Everything Bagel’ by Matthew Pitt (USA)
‘The Annex’ by Anthony Purdy (Canada)
‘A Fall from Grace’ by John Richards (Queensland) – Shortlisted
‘There Are No Stars Here, Either’ by Lauren Sarazen (France) – Shortlisted
‘Revisionist’ by Liza St. James (USA)
‘Bad Tub’ by Liza St. James (USA)
‘Ver Says’ by Laura Elizabeth Woollett (Victoria)

 


 

Judges’ comments

‘A Fall from Grace’ is a deliciously enigmatic story, rich in the overtones of the international canon – Balzac, Calvino, Borges. Set in pre-revolutionary rural France, a talented painter’s career receives an unforeseen jolt that simultaneously shadows his life and propels his work from realist proficiency to metaphysical greatness. The story brilliantly elides character with environment, capturing us via a delicately crafted blend of reportage, imagery, and atmosphere. Ultimately, the writer’s own image-making power fuses with the compelling narrative of the painter, giving us the thrill of historical fiction at its most immersive.

In ‘The Enemy, Asyndeton’, Elizabeth is godmother to teenaged Julia, but actually it’s Julia’s younger sister, Asha, with whom Elizabeth feels the greater bond. One conversation ignites a peculiar obsession in Elizabeth, awakening her hitherto tepid godmotherly instincts. ‘The Enemy, Asyndeton’ is a delightful, nimble story; the characters bristle with life, and the dialogue is crisply rendered. The author deftly prevents Asha’s precocity from sliding into tweeness, and, although it becomes increasingly apparent that Elizabeth is making a little too much of Asha’s ‘seething inner brilliance’, the author depicts Elizabeth’s predicament with warmth, understanding, and humour.

In ‘There Are No Stars Here, Either’, a woman named Caroline travels through Italy while conducting an online relationship with D, a man she met two weeks earlier. This story is written in effervescent sentences that capture the enthusiasm and fickleness of its narrator as well as of her continuous headlong movement. Also captured are the intensities of youthful romance, a state in which the imagination is irrepressible, even when it has little to go on. The story pokes gentle fun at the strange pull of a mediated life over real-world experiences: the pull is strong enough to have Caroline barely taking in the prodigious beauty that surrounds her, such as the paintings of the Italian Renaissance in the Florence galleries or the palaces, piazzas, and canals of Venice.

 


ABR warmly acknowledges the generous support of ABR Patron Ian Dickson, who makes the Jolley Prize possible in this lucrative form. We congratulate all the longlisted and shortlisted authors.

 


 

Previous winners

Subscribers to ABR can read previous prize-winning stories to the Jolley Prize. To read these stories, click here.

If you aren't a subscriber, digital subscriptions begin at only $10 per month. Click here to become an ABR subscriber

 

Payment Complete – Calibre Essay Prize

14 October 2020 Written by Australian Book Review

Success

Thank you for entering the Calibre Essay Prize.

If you created a new account to enter, you can now sign in with the Username and Password you entered. Simply click 'Sign In' in the top left-hand corner to enter your details. We hope you enjoy reading our extensive archive going back to 1978.

If you wish to submit another entry to the Calibre Essay Prize, click here to return to the entry form. Remember to first sign in with your new ABR account before entering multiple entries.

2021 Calibre Essay Prize Judges

12 October 2020 Written by Australian Book Review

Sheila FitzpatrickSheila Fitzpatrick is a Professor at Australian Catholic University and Honorary Professor at the University of Sydney, and co-winner (2016) of the Prime Minister’s Literary Award for Non-Fiction. Her new book, White Russians, Red Peril: A Cold War history of migration to Australia, will be published by Black Inc. in April 2021.

 

 

 

Billy GriffithsBilly Griffiths is an Australian writer and historian. His latest book, Deep Time Dreaming: Uncovering Ancient Australia (Black Inc., 2018), won the Ernest Scott Prize, the Felicia A. Holton Book Award, the John Mulvaney Book Award, the Douglas Stewart Prize for Non-Fiction and the 2019 Book of the Year at the NSW Premier’s Literary Awards. He lectures in Cultural Heritage and Museum Studies at Deakin University in Melbourne.

 

 

Peter RosePeter Rose has been Editor of Australian Book Review since 2001. Previously he was a publisher at Oxford University Press. His reviews and essays have appeared mostly in ABR. He has published six books of poetry, two novels, and a family memoir, Rose Boys (Text Publishing), which won the 2003 National Biography Award. He edited the 2007 and 2008 editions of The Best Australian Poems (Black Inc.). His most recent publication is a volume of poems, The Subject of Feeling (UWA Publishing, 2015). 

 

 

Winner | 2020 Jolley Prize | Mykaela Saunders for 'River Story'

13 August 2020 Written by Australian Book Review

2020 Jolley Prize Winner: Mykaela Saunders

ABR is delighted to announce that Mykaela Saunders is the overall winner of the 2020 ABR Elizabeth Jolley Short Story Prize for her story ‘River Story’. Mykaela Saunders receives $6,000. C.J. Garrow was placed second for his story 'Egg Timer', and Simone Hollander was placed third for her story 'Hieroglyph'. We would like to congratulate all three shortlisted entrants and thank all those who entered their stories in the Jolley Prize.

The ABR Elizabeth Jolley Short Story Prize is one of the country’s most prestigious awards for short fiction. This year the Jolley Prize attracted almost 1,450 entries from 34 different countries. The judges were Gregory Day, Josephine Rowe, and Ellen van Neerven. The three shortlisted stories appear in our August Fiction issue.

 

About Mykaela Saunders

Mykaela Saunders (photograph supplied)

Mykaela Saunders is a Koori writer, teacher, and community researcher. Of Dharug and Lebanese ancestry, she’s working-class and queer, and belongs to the Tweed Aboriginal community. Mykaela has worked in Aboriginal education since 2003, and her research explores trans-generational trauma and healing in her community. Mykaela began writing fiction and poetry in 2017, as part of her Doctor of Arts degree at the University of Sydney. Her work has since been published across forms and disciplines, placed in writing prizes, and attracted funding and fellowships.

Payment Complete – Peter Porter Poetry Prize

30 July 2020 Written by Australian Book Review

Success

Thank you for entering the Peter Porter Poetry Prize.

If you created a new account to enter, you can now sign in with the Username and Password you entered. Simply click Sign In in the top left-hand corner to enter your details. We hope you enjoy reading our extensive archive going back to 1978.

If you wish to submit another entry to the Porter Prize, click here to return to the entry form. Remember to first sign in with your new ABR account before entering multiple entries.

2021 Porter Prize Judges

14 July 2020 Written by Australian Book Review

Lachlan Brown 800x500 monoLachlan Brown is a senior lecturer in English at Charles Sturt University, Wagga Wagga. He is the author of Limited Cities (Giramondo, 2012) and Lunar Inheritance (Giramondo, 2017). Lachlan has been shortlisted and commended for various poetry prizes including the Mary Gilmore Prize, the Newcastle Poetry Prize, the Gwen Harwood Poetry Prize, the Judith Wright Poetry Prize, and the Macquarie Fields Poetry Prize. Lachlan is currently the vice-president of Booranga Writers Centre in Wagga Wagga. His poem 'Precision Signs' was shortlisted in the 2020 Peter Porter Poetry Prize. 

 

John HawkeJohn Hawke is a Senior Lecturer, specialising in poetry, at Monash University. His books include Australian Literature and the Symbolist Movement, Poetry and the Trace (co-edited with Ann Vickery), and the volume of poetry Aurelia, which received the 2015 Anne Elder award. He is ABR's Poetry Editor.

 

 

A. Frances JohnsonA Frances Johnson is a writer, artist, and a Senior Lecturer at the University of Melbourne. Her fourth poetry collection, Save As, is forthcoming from Puncher & Wattmann. A previous collection, Rendition for Harp and Kalashnikov (Puncher & Wattmann, 2017), was shortlisted in the 2018 Melbourne Prize for Literature Best New Writing Award. Other books include the novel Eugene's Falls (Arcadia, 2007), which retraces the journeys of colonial painter Eugene von Guérard, and a monograph, Australian Fiction as Archival Salvage (Brill, 2015). Her poem ‘My Father’s Thesaurus’ won the 2020 Peter Porter Poetry Prize.

  

John Kinsella 240John Kinsella is the author of over forty books. His most recent publications include Displaced: A rural memoir (2020), The Weave (with Thurston Moore, 2020), and Insomnia (2020). His poetry collections have won a variety of awards, including the Prime Minister's Literary Award for Poetry and the Christopher Brennan Award for Poetry. His volumes of stories include In the Shade of the Shady Tree (Ohio University Press, 2012), Crow’s Breath (Transit Lounge, 2015), and Old Growth (Transit Lounge, 2017). He is a Fellow of Churchill College, Cambridge University, and Professor of Literature and Environment at Curtin University. With Tracy Ryan he is the co-editor of The Fremantle Press Anthology of The Western Australian Poetry (2017). He lives with his family in the Western Australian wheatbelt. 

2021 Peter Porter Poetry Prize

19 June 2020 Written by Australian Book Review

SaraMSalehAustralian Book Review is pleased to announce Sara M. Saleh as the winner of the 2021 Peter Porter Poetry Prize, worth $10,000, for their poem 'A Poetics of Fo(u)rgetting'. Sara receives $6,000, and each fellow shortlisted poet receives $1,000.

This year’s judges – John Hawke, Lachlan Brown, A. Frances Johnson, and John Kinsella – shortlisted five poems from 1,329 entries, from 33 countries. The shortlisted poets were Danielle Blau (USA), Y.S. Lee (Canada), Jazz Money (NSW), Sara M. Saleh (NSW), and Raisa Tolchinsky (USA). To read the shortlisted poems, please click here.

At the event, A. Frances Johnson spoke on behalf of the judges:

It’s a big pleasure to speak on behalf of my fellow judges: Lachlan Brown, John Hawke, and John Kinsella. 

While I know we’re all Zoom weary, I hope this summer ceremony is well timed, an antidote to yesterday’s Invasion Day with its colonial ra-ra-ra and official eclipse of possibilities for national mourning: ‘… in the New World, happiness is enforced,’ Peter Porter notably said.

I am speaking from unceded Gadabanud country at Cape Otway, population twenty-two – a villagey-sounding statistic but one that conceals the unspeakable loss that occurred with settler administrative determination to build a lighthouse in the mid to late 1840s. So, on the back of January 26th, I pay sombre and sincere respects to Gunditj Maar elders past, present and future. 

In the year of pandemic, vile Trumpist trumpeting, and when disgraceful Australian politicians (many of them arts graduates) increased humanities course fees by 113%, poets did not lay down and rest. This year’s huge volume of submissions – a bumper crop in the history of the Porter Prize – points to a renewed desire to contest the crushing political and bureaucratic language of our times. This upswing in poetic energy is reason for cheer. Peter Porter’s witty definition of a poem applies more than ever: ‘A poem is a form of refrigeration that stops language going bad’.

We congratulate all twelve longlistees, Australian and international. Unsurprisingly, themes of ruined ecologies and mortality feature. Many poems demonstrated great imaginative fealty with histories of language, poetry, and culture; these stood out, as did poems resisting easy closure, easy language fixes. Elsewhere, outstanding poems tackled themes of race, displacement, environment, and feminism, but without virtue-signalling or over-burdened visions of endtimes.

Determining the shortlist was the most difficult part of proceedings. Each longlisted poem was a potential winner. We read, re-read, and re-read some more. Happily, thoughtful, logical correspondences in our final judgements prevailed. I’ll now talk briefly to the final shortlist of five.

Wiradjuri poet Jazz Money’s ‘bila: A river cycle’ is an epically beautiful free-verse poem of bila and bilabang, rivers and riverine drybeds. This poem explores toxic poetics, linking it with the great postcolonial environmental writing of Alexis Wright, Oodgeroo, Lionel Fogarty, Jeanine Leane, and Tara June Winch. Both lamentation and reclamation, this poem reflects ancient and continuous Aboriginal ecological knowledge held within the sacredness of place. The poem’s formal range moves from vernacular free verse to open-field poetic, and finally to language- and ecology-rich creation story. The poem concludes with images of resilience. Bila, all bila, survive, even if degraded.

‘The poetics of fo(u)rgetting’ by Arab-Australian poet Sara M. Saleh tells the story a resettled Lebanese refugee family from a daughter’s point of view. ‘I forget tradition,’ the narrator opens, passing around a tray of sticky dates. Chewing and spitting back the date pits enables the women to ‘break the dusk’. The poet deploys searing lines of diasporic alienation: ‘I forget how our Lebanon made its way to Lakemba … We pretend not to notice, this neighborhood is an obituary’. The double shellshock of a family displaced by war is evoked with quiet pathos. But cultural observances mean one thing to the older generation and another to the next. These ruptures were sensitively observed across this lush, cinematic poem.

‘Vernal equinox story’ is a brilliant time-travelling language poem by American poet Danielle Blau. The poem’s experimental heft and wildly imaginative ecocritical wit drive the poem home to a bodily coda (‘we silt – we water & sand – we muck – we here – we filth – we / Matter. Yes. Behold!/ our forms!’). A marvellous collective incantatory voice informs this poem of vibrant matter. But the chant suggests that humans may not matter very much at all! If matter can be read backwards and forwards, so too can language, as with the palindrome. The poem and its palindromes evoke archaic superstitious language, but also a threatening absurdity, for the palindrome tribe belong nowhere. Blau’s parodic language cleverly places words, humans, and time under pressure.

‘Before dawn, with the Streetlamp’s beam across your face’ by American poet Raisa Tolchinsky may be a poem of the #MeToo Zeitgeist. This dramatic, unidealised depiction of a woman boxer has little to do with a two-dimensional Wonder Woman fighting her way through mean streets. The second-person vernacular boldly interpellates the reader. This voice is offset by a doubting inner monologue. ‘You choose this don’t you’, the narrator opines. But seasoned by months of training, the protagonist asserts in quiet feminist desperation, ‘Now you are not a girl walking through the park/but a myth of inbetween …’, as if gender might be transcended. The imaging of the city, the grimy, macho gym and the protagonist’s hardened transactions with casual sexism are variously vivid, ironic and visceral. The poem itself is a clever, moving fight, shadow boxing ideas of female assertion.

‘Would you Rather’ by Singaporean–Canadian poet Y.S. Lee is a moving work in which a parent figure, discussing their ‘white passing kid’ with a friend, reflects on the ways racism constrains identity: ‘I squandered half my life in the quest / to be good …. / Later I grasped that good meant White. / By then my body was the shape of apology.’ This poem splices dialogue and inner monologue to reveal intercultural and intergenerational complexities. The poem has a laudable wit and restraint, restraint itself being part of the ‘tiny tragedy’ of the poem, a metaphor for self-imposed invisibility. This poem moves us precisely because it deftly sums up an experience that is important for people who aren’t from Anglo-Celtic backgrounds.

Congratulations again to all our featured poets. Your work was much admired and we, the judges, are still properly haunted by the many wonderful lines and images supporting and driving your ideas.

Thank you.


The five shortlisted poems were:

 

'The Vernal Equinox Story' by Danielle Blau (USA)

Blau Danielle Blau’s Rhyme or Reason: Poets, philosophers, and the problem of being here now is forthcoming from W.W. Norton. Her chapbook mere eye was selected for a Poetry Society of America Chapbook Award and published with an introduction by poet D.A. Powell, and her poems won first place in the multi-genre Narrative 30 Below Contest. Poetry, short stories, articles, and interviews by Blau appear in various publications. A graduate of Brown University with an honours degree in philosophy, and of New York University with an MFA in poetry, she curates and hosts the monthly Gavagai Music + Reading Series in Brooklyn, teaches at Hunter College in Manhattan, and lives in Queens. You can learn more about her at danielleblau.com.

 

'Would You Rather' by Y.S. Lee (Canada)

Y.S. Lee NEW 2020 Photo by Scott AdamsonY.S. Lee’s fiction includes the young adult mystery series The Agency (Candlewick Press/Walker Books), which was translated into six languages and has either won or been shortlisted for various prizes. In July 2020, her poem ‘Mr. T in Your Pocket’ won Arc Poetry Magazine’s monthly Award of Awesomeness. She lives in Kingston, Ontario, Canada, within traditional Anishinaabe and Haudenosaunee territory.

 

'bila, a river cycle' by Jazz Money (NSW)

Jazz Money NEW 2020 Photo by Natalie IronfieldJazz Money is a poet and filmmaker of Wiradjuri heritage, currently based on the beautiful sovereign lands of the Darug and Gundungurra nations. Her poetry has been published widely and reimagined as murals, installation, and film. Jazz is the 2020 winner of the David Unaipon Award from the State Library of Queensland, and her début collection of poetry is forthcoming from University of Queensland Press in 2021.

 

'A Poetics of Fo(u)rgetting' by Sara M. Saleh (NSW)

Sara M. Saleh NEW 2020Sara M. Saleh is the daughter of migrants from Palestine, Egypt, and Lebanon, living and learning on Gadigal land. A human rights activist, community organiser, and campaigner for refugee rights and racial justice, she has spent over a decade in grassroots and international organisations in Australia and the Middle East. Her poetry and writing has been published in English and Arabic in various places. She is co-editor of the recently released anthology, Arab-Australian-Other: Stories on Race and Identity. She is currently developing her first novel as a recipient of the inaugural Affirm Press Mentorship for Sweatshop Western Sydney.

 

'before dawn, with the street lamp's beam across your face' by Raisa Tolchinsky (USA)

Raisa Tolchinsky NEW 2020Raisa Tolchinsky is a poet, editor, and teacher. She has previously lived and worked in Chicago, New York, Italy, and Iceland, and she is trained as an amateur boxer. Raisa received her BA in English Literature and Italian Studies from Bowdoin College and the University of Bologna. Currently, Raisa is a Poe/Faulkner fellow in poetry at the University of Virginia. More of her work can be found at www.raisatolchinsky.com

 

 

 


Congratulations to the full longlist:

 

Danielle Blau (USA), ‘The Vernal Equinox Story’ – Shortlisted
Bonny Cassidy (Vic.), ‘Title’ – Longlisted
Suzanne Cleary (USA), ‘For the Poet Who Writes to Me While Standing in Line at CVS, Waiting for His Mother's Prescription’ – Longlisted
Justin Clemens (Vic.), ‘Thus Spuke Zerothruster’ – Longlisted
Kristen Lang (Tas.), ‘framing the mirror’ – Longlisted
Anthony Lawrence (QLD), ‘Levitation’ – Longlisted
Y.S. Lee (Canada), ‘Would You Rather’ – Shortlisted
Fiona Lynch (Vic.), ‘The Audit’ – Longlisted
Damen O’Brien (QLD), ‘Carpool’ – Longlisted
Jazz Money (NSW),bila, a river cycle’ – Shortlisted
Sara M. Saleh (NSW), ‘A Poetics of Fo(u)rgetting’ – Shortlisted
Raisa Tolchinsky (USA), ‘before dawn, with the street lamp’s beam across your face’– Shortlisted

 


Click here for more information about past winners and to read their poems.

We gratefully acknowledge the long-standing support of Morag Fraser AM and Andrew Taylor AM.