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Short Stories

Pulse Points by Jennifer Down

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September 2017, no. 394
Susan Midalia reviews 'Pulse Points' by Jennifer Down

Barbara Kingsolver, praising the skill required to write a memorable short story, described the form as entailing ‘the successful execution of large truths delivered in tight spaces’. Her description certainly applies to Jennifer Down’s wonderful début collection, Pulse Points. Using the typical strategies of suggestion, ambiguity, and inconclusivene ...

Common People by Tony Birch

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September 2017, no. 394
Fiona Wright reviews 'Common People' by Tony Birch

The characters who populate Tony Birch’s Common People are striking not so much because they are the ordinary people, the commonplace or everyday people that the title would suggest – they are, mostly, people living in or with extremity and trauma – but because the thing that unites them in these stories are discoveries of small moments of common huma ...

The Circle and the Equator by Kyra Giorgi

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August 2017, no. 393
David Latham reviews 'The Circle and the Equator' by Kyra Giorgi

The past is a foreign country: they do things differently there.’ L.P. Hartley’s now proverbial observation at the start of The Go-Between (1953) functions as a statement of fact and a warning. The writer who wishes to traverse the terrain between a nation’s present and its past must navigate a minefield – linguistic, cultural, and historical. Therefore, when you attempt to navigate not only across time but across nations ...

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Datsunland by Stephen Orr

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June-July 2017, no. 392
Catherine Noske reviews 'Datsunland' by Stephen Orr

Datsunland, a collection of short stories and the latest from Stephen Orr, is in many ways flawed. The collection is uneven: the final (titular) work is a novella previously published in a 2016 issue of Griffith Review, which overwhelms the earlier, shorter stories, exhibiting the depth and nuance which several others lack. The narratives and chara ...

This Water: Five tales by Beverley Farmer

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June-July 2017, no. 392
Anna MacDonald reviews 'This Water: Five tales' by Beverley Farmer

There is a distinct poignancy attached to last things, a sense in which they encapsulate all that has gone before at the same time as they anticipate an end. In the moment of their first manifestation, last things are already haunted by their own absence. This Water: Five tales is the first book by Beverley Farmer to be published since 2005, and has been announced as her last work.

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Feet to the Stars and other stories by Susan Midalia

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November 2015, no. 376
Cassandra Atherton reviews 'Feet to the Stars' by Susan Midalia

Susan Midalia's Feet to the Stars references Sylvia Plath's poem 'You're', in which Plath addresses her unborn child: 'Clownlike, happiest on your hands, / Feet to the stars, and moon-skulled, / Gilled like a fish ...' This clever title foreshadows Midalia's exploration of children in the family dynamic and the use of intertextuality, which are integral to ...

When There's Nowhere Else to Run by Murray Middleton

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August 2015, no. 373
Laurie Steed reviews 'When There's Nowhere Else to Run' by Murray Middleton

Our national literary landscape would be seriously depleted without The Australian/Vogel’s Literary Award. It jump-started the careers of Tim Winton, Julienne van Loon, and Andrew McGahan, authors who have been willing to explore the harsher aspects of ...

Crow's Breath by John Kinsella

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August 2015, no. 373
Francesca Sasnaitis reviews 'Crow's Breath' by John Kinsella

Recently I drove east from Perth through wheat belt country to the Helena and Aurora Ranges, past Cunderin, Kellerberrin, and Koolyanobbing, towns whose names echo the rhythms of the landscape; past the shimmering salt pan that was once Lake Deborah East; down rutted tracks which changed abruptly from red earth to yellow sand; past the ravages of iron ore mines to t ...

Can't and Won't by Lydia Davis

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March 2015, no. 369
Morag Fraser reviews 'Can't and Won't' by Lydia Davis

Reading Lydia Davis’s stories is akin to getting new glasses – or glasses for the first time. Suddenly the world shifts into sharp, bright focus. Disturbing. Disorienting. What you see, or understand, won’t necessarily gladden your heart. It may pique it, but you may not want to be brought so close to life, to the poignancy of it all. Not at first, anyway.

Davis seems to think so too. Or she plays at thinking so. ‘Oh, we writers may think we invent too much – but reality is worse every time!’ she says, at the end of a perfect fourteen-line narrative (called ‘The Funeral’) translated from Flaubert.

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Merciless Gods by Christos Tsiolkas

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January-February 2015, no. 368
Susan Lever reviews 'Merciless Gods' by Christos Tsiolkas

Christos Tsiolkas has established himself as a fiction writer to be reckoned with, especially since the publication of the explosive Dead Europe (2005) and the bestselling The Slap (2008). His latest novel, Barracuda (2013), marked a return to the adolescent anger and simpler naturalism of his early work. So his new volume of stories, Merciless Gods, may offer some help in understanding the trajectory of his career and his changing interests.

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