Melbourne University Press

If you were young and energetic and a believer in a range of progressive causes, Melbourne in the first three decades of the twentieth century was an exciting place. It was even better if you were in love. Doris Hordern and Maurice Blackburn, the joint subjects of Carolyn Rasmussen’s deeply researched ...

Gillian Triggs is a pearls-and-perfectly-cut-jacket person these days, so it is thrilling to learn that she was dressed head to toe in motorcycle leathers when she had one of the more instructive experiences of her life. It was 1972, and Triggs, the future president of the Australian Human Rights Commission ...

Mark Colvin’s fine memoir – of a journalist’s life and as a spy’s son – was completed before the Macquarie Dictionary chose ‘fake news’ as its word of the year, and the OED and Merriam-Webster opted for ‘post truth’ and ‘surreal’. In July 2016, as Colvin was writing his acknowledgments chapter ...

One of the literary legacies of the financial crisis is a type of travel writing focused on the local social, economic, and environmental effects of unfettered global capitalism. There are two types of such books. Michael Lewis is perhaps the best known and most widely read author of the first kind, in which the reporter becomes a kind of tour guide to the financial freak show. In Boomerang (2011), Lewis shows how greed overwhelmed both the lenders and the borrowers of cheap money in places like Iceland, Ireland, and the United States. Reading him is like watching the circus through binoculars. The spectacle is both vividly close and comfortably distant; we enjoy the show but feel no direct involvement in the unfolding action.

One of the literary legacies of the financial crisis is a type of travel writing focused on the local social, economic, and environmental effects of unfettered global capitalism. There are two types of such books. Michael Lewis is perhaps the best known and most widely read author of the first kind ...

P hilosophy in the Garden is the latest book from philosopher and social commentator Damon Young. The text contributes to existing studies of the cultural and personal significance held by gardens. Young begins by noting that gardens ‘can console, calm and uplift’, as well as ‘discomfit and provoke’. This range of responses adds to the ‘philosophical value’ of these spaces. Young moves on to discuss several ‘great minds, and the gardens they loved (or loathed)’. These include the authors Leonard Woolf (best known for being Virginia’s husband), Colette, George Orwell, Marcel Proust, and Jean-Paul Sartre.

Much travel is unpleasant (with over-expectations, too many tourists, and long distances from Australia), but even the sedentary or timorous persist with it in some ‘misguided duty to culture’, as Brendan Shanahan describes in his first collection of essays, Mr Snack and the Lady Water. Assembling journeys from the mid-1990s until now, Shanahan recounts stories that range from the inequities of post-Apartheid South Africa to his experience with so-called ‘dental tourism’ in the Philippines. The result of these peripatetic years has been, as the book’s subtitle suggests, largely uneventful: lost to the author and this reader alike.