Peter Rose

Patrick White – ‘Edges slightly rubbed’

From the Editor’s Desk • 28 May 2012

  While the Brits prepare to traipse up and down The Mall brandishing their Union Jacks and Coronation Chicken to fête our remote head of state’s Diamond Jubilee, what better way to mark a rather more momentous local milestone – the centenary of Patrick White’s birthday (28 May 2012) – than by reading the man again, and reading one’s favourite book by him, after more years than on ... (read more)

Patrick White in Canberra

From the Editor’s Desk • 20 April 2012

To Canberra on 12 April for the opening of a new travelling exhibition, The Life of Patrick White. First, though, a quick dash that morning to Sydney for a meeting with Bernadette Brennan and Hilary McPhee. The three of us have been judging this year’s National Biography Award. We met in the small but spectacular Shakespeare Room at the Mitchell Library. First we shortlisted six of the dozen hi ... (read more)

Miles Franklin Literary Award longlist

From the Editor’s Desk • 28 March 2012

Hot off the press – possibly the longest of recorded literary longlists, for this year’s Miles Franklin Literary Award, which is worth $50,000 – not quite prime ministerial, but still premiership material, and well worth winning, apart from the kudos attached to Australia’s pre-eminent literary competition. Of the sixty-one novels entered in the Award, the judges have longlisted thirteen. ... (read more)

Harold Pinter in Adelaide

From the Editor’s Desk • 14 March 2012

To Her Majesty’s for the Liverpool Everyman and Playhouse production of Harold Pinter’s The Caretaker. Pinter’s sixth play, it opened in April 1960 and ran forever (444 performances), his first commercial success, though by no means his first critical one (Harold Hobson had famously extolled the short-lived Birthday Party two years earlier.) The gently raked stage, littered with junk and de ... (read more)

Adelaide Writers' Week

From the Editor’s Desk • 13 March 2012

To Adelaide for the last day of Writers’ Week, now an annual affair (ambitiously, some think) under the guidance of Laura Kroetsch (Director). Ms Kroetsch, an American, joins Adelaide from Wellington, where she ran the literary festival for many years. The removal of long-time director Rose Wight created some heat in certain quarters, but I didn’t share the forebodings about what Ms Kroetsch m ... (read more)

‘A self, a Me, whom I race against’: Alfred Kazin and Robert Dessaix

From the Editor’s Desk • 07 March 2012

One of the things we try to do at ABR is to note each month a sample, however small, of some of the best publishing from overseas – especially works that are unlikely to be reviewed extensively, or at all, in this country (beyond the learned journals, if they bother with them). Many significant titles that pop up in TLS, Harper’s, LRB and NYRB go unreviewed in Australia – largely because sto ... (read more)

Advice for new reviewers

From the Editor’s Desk • 29 February 2012

  From time to time I’m asked what I look for in our reviewers – apart from wit, fleetness, and excellent grammar, that is. Well might a prospective reviewer ask, because the craft of reviewing is not one that is often discussed, or taught, or analysed. You’re on your own: a one-person, low-income cottage industry, a hostage to your telephone and computer, as I have written elsewhere. ... (read more)

Editor's Diary 2011

February 2012, no. 338 • 13 February 2012

by Peter Rose January 6 Such high standards the American magazines maintain, with their enviable resources. Fine valedictory article in the New Yorker by Joyce Carol Oates on the death of her husband of four decades. Slightly uneasy, though, to realise that Oates, in her forensic way, was gathering data for such an article while he was failing. But the magazines can still terrify. Harper’s In ... (read more)

'Grade', a new poem by Peter Rose

February 2012, no. 338 • 19 January 2012

Late afternoon. Another forty degree day. Sick of ecological talk I decide to meet it, take my book into the park, not sure how far I’ll go with Against Nature. Rare grass crackles beneath my feet. This is not turf but a shell oval, yet die-hards play in their filthy whites. Only clouds billow, lyric. Dog after dog sniffs my rug, preferring the plastic hats ringing the oval – odoriferous bo ... (read more)

The Eye of the Storm

October 2011, no. 335 • 27 September 2011

So Patrick White’s most flamboyant novel (with the possible exception of The Twyborn Affair) has been brought to the cinema, after the usual longueurs and fiscal frights. Director Fred Schepisi and his scriptwriter, Judy Morris, have tamed the long and somewhat unwieldy beast that won White the Nobel Prize in 1973. Lovers of the novel will miss certain scenes, but there is a coherence to the scr ... (read more)