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During a career that lasted almost sixty years, Frank Hurley (1895–1962) produced thousands of negatives and more than sixty films. He also wrote some twenty books and was an avid diarist. A number of biographies have been written on Hurley, and Helen Ennis, in Man with a Camera: Frank Hurley Overseas, makes no attempt to revisit territory covered in these earlier publications, choosing to focus on a particular aspect of Hurley’s oeuvre: the photographs he took outside Australia. She draws on the extraordinary holdings of Hurley photographs in the National Library of Australia. The book comprises more than seventy full-page images illustrating the range of Hurley’s international work. It also complements John Thompson’s Hurley’s Australia: Myth, Dream, Reality, published by the NLA in 1999.

Martin Amis’s encapsulation of biography is that it should convey a sense of what it would be like to spend some time alone in a room with the subject. Robert Milliken begins his story of Australian journalist and rock music taxonomist Lillian Roxon by revealing that he once went one better: thirty years ago, as a rising reporter in London, he not only met Roxon at a boutique hotel in Notting Hill but jawboned with her at length. That is to say, she talked and he listened. Roxon, Milliken recalls:

talked without interruption for the next two hours, entertaining me, shocking me and making me laugh. She told scandalous stories about this one and that one, and even about herself. She also talked about her problems with editors, her asthma and her mother, three principal preoccupations of her life, even though Mrs Roxon, caricatured as an interfering Jewish mother, was long since dead.

Seven dresses. Of satin, for example, and

crêpe de Chine, tulle, shot-silk, that sort of thing.

Beading and ivory buttons. One with a rip in it.

(The tailor, in interview, remembers the incident –

a sleeve torn on the workfloor; as there were no needles

left to mend it this passes without comment.)

Made before birth for the seven balls

which would have been held in her honour

by the seven suitors, princes from provinces nearby.

Gored by the briars, providence was not on their side.

In the aftermath of the ideological jousts between Henry Reynolds and Keith Windschuttle about the level of violence on the colonial frontier, a new book has appeared that tackles the issue from a fresh perspective. The author, John Connor, is a military historian. In this meticulously researched and highly readable book, he uses the methods of military history to examine the weapons, tactics and conduct of warfare on the Australian frontier during the first fifty years of British colonisation. Connor emerges from the fray with exciting new findings.

Anthony Lawrence’s latest collection of poetry, Skinned by Light: Poems 1989–2002, a revision of his New and Selected (1998), is a much tighter work than its predecessor – 121 as against 335 pages. While some may wonder why UQP has published another ‘Selected’ from Lawrence in the space of four years, the publication of his novel, In the Half Light (2000), justifies introducing Lawrence’s poetry to a wider readership.

You turn on lights inside your head
and after drawing in that mist
soon decide how you must paint

Kogarah (suppress the first ‘a’ and it scans)
Named by the locals for the creek’s tall reeds
That look like an exotic dancer’s fans
When dead, was where I lived. Born to great deeds

A stable of silver
was our sacred skite.
It’s the poor in us
my father said; we are ill
with going without
even when we gain
a stable of silver.
‘Bring the guests this way, son.’
That’s Oreka from his Hotham
rout. That’s Ima Martian from
leading all the way.
Sliding the glass, the mirror skins
of trophies warped us round.
Decanters and their goblets of young
buckled the face of a bender-down.
Trays and teapots like models
for a meal, never used,
hardly touched except by my mother
when champagne washed the plum
from her mouth and improved her swearing.
China was not a country,
it was a cup and saucer place
in there at arm’s length from the world,
her arm’s length, turning over a dish
to show her Wedgwood or Doulton tattoos.

Some years ago I wrote a poem called ‘A Table of Coincidences’, which contained the lines: ‘the day Christopher Columbus discovered America / Was the day Piero della Francesca died.’ This is a verifiable fact, unless changes in the Western calendar have altered things. Clearly, I was being sententious and reactionary: the ancient good of the world and its new doubtfulness seemed to start on the one day. A hostile reviewer pointed out that every date in the world is the anniversary of some other date, and poured scorn on my notion by suggesting that a momentous event like the Armistice in 1918 might share a date with the invention of Coca-Cola. But we still honour anniversaries, and I am only too conscious of the 365 days that have passed since 11 September 2001.

Ann Curthoys’s Freedom Ride is a meticulously researched piece of Australian history, and so much more. It could sit comfortably on the required reading lists of subjects ranging from History, to Government, to Media. This ‘road story’ of peripatetic direct democracy, from people too young to assert the right to vote for change, is also an inspirational text that makes you question your own passivity to the wrongs in our world.