Poetry
Benjamin Madden reviews 'The Poems of T.S. Eliot, Volume 1: Collected and Uncollected Poems' and 'The Poems of T.S. Eliot, Volume 2: Practical Cats and Further Verses' edited by Christopher Ricks
For fifty years after his death, the works of the most influential English-language poet of the twentieth century were unavailable in a scholarly edition. Moreover, Collected Poems, 1909–1962, arranged by T.S. Eliot himself and published in 1963, contained a number of widely recognised textual errors. The publication of The Poems of T.S. Eliot ed ...
Rose Lucas reviews 'Ground' by Martin Langford, 'Eating my Grandmother' by Krissy Kneen, and 'Now You Shall Know' by Jennifer Compton
In their very different ways, these three collections attest that contemporary Australian poetry is alive, robust, and engaging.
Puncher and Wattmann have delivered a generous collection of Martin Langford's most recent poems, Ground ($25 pb, 158 pp, 9781922186751). As we have come to expect from Langford, the voice we find here is strong – passio ...
Judith Beveridge reviews 'Creating Poetry' by Ron Pretty
This updated and revised edition of Creating Poetry – first published by Edward Arnold in 1987, and then by Five Islands Press in 2001 – is one of few poetry guidebooks written by an Australian poet. One of its pleasing features is that it uses the work of Australian poets, including John Tranter, Geoff Page, Kevin Brophy, Meredith Wattison, Judith Wrig ...
Philip Harvey reviews 'The Rise of the Machines and other love poems' by Peter Goldsworthy
Speaking of the un-
spoken, jokes are a smoky
subspecies
This near-haiku is not so much a final definition of jokes as one definition of poetry. It shows up in Peter Goldsworthy's sequence 'Ars Poetica'. What he means is that the wordplay of jokes we make every day is a microcosm, a type and model of the more grandiose verbal surp ...
Peter Kenneally reviews 'Prayers of a Secular World' edited by Jordie Albiston and Kevin Brophy
In her introduction to Australian Love Poems (2013), Donna Ward wrote that poems 'are the prayers of a secular world'. Now, aided by editors Jordie Albiston and Kevin Brophy, she brings us a collection that tests this notion. The introduction by David Tacey states its case fervently, with, in this case, a bit too much determination that 'the sacred is inera ...
Brian Nelson reviews 'Selected Poems from Les Fleurs du mal' by Charles Baudelaire, translated by Jan Owen
The Flowers of Evil (Les Fleurs du mal, 1857) is the most celebrated and most influential collection of verse in the history of modern French poetry. Its author, Charles Baudelaire (1821–67), is seen as the embodiment of a sensibility we regard as 'modern'. T.S. Eliot called him 'the greatest exemplar of modern poetry in any language'.
Ba ...
The collage on the cover of Breezeway, John Ashbery's twenty-eighth book of poems, encapsulates his erudite multifariousness. The juxtaposition of Raphael's angel from Madonna and Child Enthroned with Saints and de Chirico's The Enigma of Fatality with a nineteenth-century advertisement from Spanish Málaga resembles the pools of moments s ...
Peter Kenneally reviews 'The Law of Poetry' by MTC Cronin, 'The Ladder' by Simon West, 'Jam Sticky Vision' by Luke Beesley, 'Immune Systems' by Andy Jackson, and 'The Hour of Silvered Mullet' by Jean Kent
With her first book, Zoetrope, in 1995, MTC Cronin announced herself as a very particular force in Australian poetry. It was not just that her début was so much more immediately arresting than most poets' first outings, but also that it had real authority. This authority, coming from force of intellect and a kind of absolutist, almost inscribed imagination ...
Australian poetry has always been influenced by international literary trends, especially avant-garde or experimental ones, from the French Symbolists to US 'Language Writing' from around 1970 to the present. A curious aspect of this has been a kind of hybrid poet who can straddle both 'experimental' and 'romantic' traditions. Given the increased popularity of exper ...
This long-anticipated first volume of Robert Crawford's biography of T.S. Eliot, the first with permission from the Eliot estate to quote the poet's correspondence and unpublished work, highlights the Young Eliot as – not least in the achievement of his poetry – always an Old Eliot. And yet the picture of Eliot as a child and adolescent is detailed. In Young ...