Review
John Button reviews ‘The Tyrannicide Brief: The story of the man who sent Charles I to the scaffold’ by Geoffrey Robertson
Geoffrey Robertson, the author of The Tyrannicide Brief, enjoys the same high public profile as those old lags who constitute the élite of Australian expatriates in London: Clive James, Germaine Greer, and Barry Humphries. In his case it is as a leading international human rights lawyer, the author of Crimes against Humanity (1999) and The Justice Game (1998), and host of the popular television series Hypotheticals.
... (read more)A. Dirk Moses reviews ‘Telling The Truth About Aboriginal History’ by Bain Attwood
For the past twenty years, Bain Attwood has been trying to de-provincialise what he sees as an insular historiography of Aboriginal Australia by imploring colleagues to embrace the latest intellectual trends from France, America and New Zealand. In Telling the Truth about Aboriginal History, he expands on his many press articles on the ‘history wars’ and combines them with methodological reflection on postmodernism and post-colonialism. What advice does he have for his colleagues in the face of doubts cast on their work by newspaper columnists and other ‘history warriors’?
... (read more)David Lange’s autobiography was published on 1 August 2005. Twelve days later, he died in Auckland, at the age of sixty-three, after kidney failure and a long battle with amyloidosis, a rare disorder of plasma cells in the bone marrow, having been kept alive by a pacemaker, chemotherapy, peritoneal dialysis, and blood transfusions. He had been a diabetic for many years. When My Life appeared, press reports concentrated on isolated paragraphs and sentences, containing critical remarks about his former ministers, and about Bob Hawke. The book could have been dismissed as shrill vituperation, but it is far more than that. My Life is a touching, searching and reflective work, deeply analytical and self-critical. David showed great courage in completing an autobiography so close to death.
... (read more)The poems collected in Jaya Savige’s first book, latecomers (published by UQP as winner of the 2004 Arts Queensland Thomas Shapcott Poetry Prize), are often marvels in their own right – street-savvy, sensitive, intelligent lyrics. Together, even more impressively, they generate a many-branched, collective meditation on lateness.
... (read more)Christina Hill reviews ‘Beyond The Legend: A Kimberley Story’ by Noni Durack and ‘Out Of The Silence: A Story of love, betrayal, politics and murder’ by Wendy James
These two first novels are based upon events and people from Australian history. Noni Durack recasts the story of the pastoralists of the north-west of Australia in terms of an enlightened awareness of land degradation, but the narrative remains oddly captive to the legend of heroic conquest that she is trying to critique. Wendy James, on the other hand, has written an elegant feminist account of the lives of women in Melbourne at the time of the struggle for women’s suffrage.
... (read more)Michael Sariban reviews ‘The Yellow Dress’ by Yve Louis and ‘The Ancient Capital of Images’ by John Mateer
John Mateer’s fifth poetry collection confirms him as a poet of considerable assurance and originality. The Ancient Capital of Images is, in a sense, a metaphor for the poetic imagination – the entity formerly known as the Muse. The terrain ranges from South Africa to Australia to Japan. It is in the latter section that his achievement is most impressive. There is little here of the travelogue, the sense being rather of an inward journey.
... (read more)Lisa Gorton reviews ‘There, Where the Pepper Grows’ by Bem Le Hunte and ‘Behind The Moon’ by Hsu-Ming Teo
There’s a joke that comes up in westerns about the book that saves: a thick volume in the chest pocket that takes a bullet. Bem Le Hunte introduces her second novel about a small band of World War II refugees: ‘This book was written as a prayer for those people who could not live to tell their tales. It was written, too, as a prayer for the future of our world, in the hope that stories like this have the power to save us.’ Certainly, this is a book that teaches hope against the odds, but when you consider how human cruelty has survived even the greatest stories, Le Hunte’s prayer sounds forlorn – unless she was thinking of saving us from boredom, in which case both There, Where the Pepper Grows and Hsu-Ming Teo’s Behind the Moon work most effectively.
... (read more)Heather Neilson reviews ‘The Cambridge Companion to American Modernism’ edited by Walter Kalaidjian
The Penguin Dictionary of Literary Terms, to take a random example, indicates the challenges facing anyone undertaking a definitive and detailed account of modernism. According to the Dictionary’s author, J.A. Cuddon, modernism is: ‘A comprehensive but vague term for a movement (or tendency) [that] pertains to all the creative arts, especially poetry, fiction, drama, painting, music and architecture.’ As he notes, it is a matter for debate as to whether modernism, ‘as an innovative and revivifying movement’, was essentially over by the late 1940s or persisted well beyond that period. The ‘vagueness’ of the term ‘modernism’ and of its definitions reflects the diversity of artists, works and ideas that it encompasses; and the implicit contradiction of Cuddon’s pairing of the adjectives ‘innovative’ and ‘revivifying’ is suggestive of modernism’s emphasis on both radical originality and engagement with (rather than uncomplicated rejection of) the past.
... (read more)Mark Peel reviews ‘Ten Pound Poms: Australia’s invisible migrants’ by A. James Hammerton and Alistair Thomson
Of late, there has been a welcome surge in the study of British migrants in Australia. James Jupp’s The English in Australia (2004) provided one of the first overviews since the 1960s. Andrew Hassam followed migrant Britons from the nineteenth into the twentieth century, and younger scholars such as Sara Wills, Carole Hamilton-Barwick and Lorraine Proctor have begun to explore the local intricacies of settlement and identity. Given both the subject – numerically the largest of the postwar migrant groups – and the growth in historical and sociological accounts of immigration and multiculturalism since the 1970s, the surge has been a long time coming.
... (read more)Roy Ward Baker is quoted as saying ‘realism is my forte’. But Geoff Mayer’s book reveals that over a fifty-eight-year career in film and television, Baker was much more than just a ‘realist’. Baker began as a ‘gopher’ at Gainsborough Studios in 1934, but he is best known for directing what is perhaps the definitive film on the Titanic disaster, A Night to Remember (1958). He also directed horror productions for Hammer Films, including The Vampire Lovers (1960) and Quatermass and the Pit (1967). He ended his career at seventy-two with an episode of the British television series The Good Guys (1992). It is due to this long and diverse career that Baker has not been embraced as an auteur, a filmmaker who is able to project a consistent personal vision across a range of films. However, in Roy Ward Baker, Geoff Mayer, of La Trobe University, situates Baker as an auteur, tracing the vicissitudes of his career to provide a comprehensive and intriguing study of the filmmaker and his films, as well as his industrial, social, and political contexts.
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