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UWA Publishing

An essay at the heart of this collection, ‘Against Motherhood Memoirs’ by Maria Tumarkin, is not as insistent as its title suggests. Tumarkin, interested in ‘fissures and de-fusion’, troubles the awkward spots in her analysis. While reading Maggie Nelson’s The Argonauts (2015) – which places ‘motherhood and queerness side by side’ with ...

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Published in December 2018, no. 407

The classic lyric preoccupation with interiority, and how internal life touches and changes the outside world, finds expression in two recent collections of poetry: Fiona Wright’s ...

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Published in May 2018, no. 401

Fiona Wright reviews 'Drawing Sybylla' by Odette Kelada

Fiona Wright
Friday, 24 November 2017

Drawing Sybylla is a wonderfully unusual book, narrated in parts by a modern-day Sybil – one of those ‘mad mouthpieces’ of prophesy and poetry from Ancient Greece. This Sybil springs to life from an elaborate doodle in a notebook, drawn by a Sydney Writers’ Festival panelist who is listening to another writer on her panel. This writer is describing to ...

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Published in December 2017, no. 397

The past is a foreign country: they do things differently there.’ L.P. Hartley’s now proverbial observation at the start of The Go-Between (1953) functions as a statement of fact and a warning. The writer who wishes to traverse the terrain between a nation’s present and its past must navigate a minefield – linguistic, cultural, and historical. Therefore, when you attempt to navigate not only across time but across nations ...

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Published in August 2017, no. 393

Michelle Cahill and Amanda Joy have produced two engaging and proficient collections of poetry. In their different ways, each revels in worlds of perception, imagination, and poetic craft.

Amanda Joy’s first full-length collection, Snake Like Charms comes out of UWAP’s new poetry series and marks the emergence of an important voice in Australian ...

The UWAP Poetry imprint began in late 2016, and there are already fourteen titles available. To judge from the quality of the three reviewed here, UWAP’s energy and ambition is well-placed ...

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Published in May 2017, no. 391

This manifesto for free verse comes from a poet whose associates at the time included Harold Monro, Richard Aldington, and D.H. Lawrence in London, Harriet Monroe and Louis Untermeyer in New York, Natalie Clifford Barney in Paris. Anna Wickham (1883–1947) mixed with the modernist writers and artists of her time on both sides of the Atlantic and was widely admired for her early books, The Contemplative Quarry (1915), The Man with a Hammer (1916), and The Little Old House (1921).

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Published in April 2017, no. 390

A book called Our Lady of the Fence Post (UWA Publishing, $22.99 pb, 105 pp, 9781742589121) by a poet called J.H. Crone is an irresistible proposition, simply as a notion ...

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Poetry as the solidifying of memory, poetry as a survivor's sanguine amusement, takes a lifetime. Louise Nicholas relates autobiography through strongly considered moments ...

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Published in October 2016, no. 385

Judith Beveridge reviews 'Happiness' by Martin Harrison

Judith Beveridge
Wednesday, 25 November 2015

'Happiness' may seem like an odd word for the title of a book of poetry, and given the circumstances of Martin Harrison's final years – his illness, the tragic death of his younger Tunisian lover, Nizar Bouheni – the title is rather ironic, but the poems in this posthumous volume are rich, bountiful, full of the same 'worshipful attention', the same sense of ope ...

Published in December 2015, no. 377