Accessibility Tools
- Content scaling 100%
- Font size 100%
- Line height 100%
- Letter spacing 100%
Brian Matthews
Brian Matthews (1936–2022) was the author of short stories, essays, and biographies. His memoir A Fine and Private Place (2000) won the inaugural Queensland Premier’s Award for non-fiction and his Manning Clark: A Life (2008) won the National Biography Award in 2010.
‘Paris has gone crazy.’ There are people everywhere; ‘players and officials have been arriving like migrating birds’. The German team – including Hermann Hesse, Bertolt Brecht, Walter Gropius,Thomas Mann, Martin Heidegger – have already arrived, but their officials will permit no interviews. The Americans, amongst whom are Ernest Hemingway, F. Scott Fitzgerald, Gertrude Stein, Isadora ... (read more)
In the summer of 1988 I was part of an Adelaide Writers Week symposium on biography, the stars of which were two justly famous and accomplished biographers – Victoria Glendinning and Andrew Motion. I described that occasion at the time, like this:
I greatly admired Motion’s panache. As we ascended the podium to begin the session in front of a huge crowd of biography buffs, he was heard to ... (read more)
The seminar, as far as I can remember, took place in what was then the Melbourne Teachers’ College on Grattan Street. The late-afternoon sunlight slanting through ornate windows burnt bright on a huge World War I scene on the wall behind the speakers’ table where the names of those who had made ‘the ultimate sacrifice’ were listed with melancholy precision. I remember gazing at that painti ... (read more)
In The Oxford Companion to Australian History, of which he was a co-editor with John Hirst and Stuart Macintyre, Graeme Davison begins his essay on Geoffrey Blainey by saluting him as ‘the most prolific, wide-ranging, inventive, and – in the 1980s and 1990s – most controversial of Australia’s living historians’. In volume one of the Encyclopaedia of Historians and Historical Writing, Geo ... (read more)
Undaunted by Joseph Furphy's autodidactic complexities and indulgences, A.D. Hope proposed in his 1974 collection, Native Companions, Essays and Comments on Australian Literature 1936–1966, that Such Is Life was 'a novel based on a theory of the novel'.
Reading, with great pleasure, Michael Wilding's Growing Wild, it occurred to me that here was a memoir based on a theory of memoir. The theo ... (read more)
In her speech as the winner of the 2003 National Book Award, Shirley Hazzard said, 'We should do our best by the language. We mustn't torture it; we mustn't diminish it. We have to love it, nurture it, and enjoy it.'
Reading Hazzard, as she is variously represented in this collection, is to encounter a writer who has done her 'best by the language' and, in these essays, continues marvellously to ... (read more)
John McLaren, who died peacefully in St Vincent's Private Hospital on 4 December 2015, was a man of many fine attributes and talents, not the least of which was his capacity for friendship. John had many close friends towards whom he showed great loyalty, affection, and generosity. They, in their turn, recognised the strength and quality of the quite precious bond his character and personality mad ... (read more)
'Let us now praise famous men / ... men renowned for their power ... / Leaders of the people by their counsels ... wise and eloquent / ... Rich men furnished with ability, living peaceably in their habitations ...'
These aspirations, from Apocrypha: Sirach 44, pose some problems for a biographer. The famous, the powerful, the leaders, the wise and eloquent, the rich and able would all seem to be ... (read more)
Tim Winton's island home seethes and rings, whispers and beckons with sheer life. It tantalises through shreds of memories and phantom histories turned to stone or engraved in ocean-scored rocks and remote caves. Like William Blake's 'green and pleasant land', it is compromised but offers 'a World in a grain of sand / And a Heaven in a wild flower'. His isle, like Prospero's, is 'full of noises / ... (read more)