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There must be some part of the human psyche which secretly thrills at the idea of inflicting unbearable pain on others. How else to explain the fact that torture has been practised in every civilisation in every age? How else to explain the desperate cruelty and awesome ingenuity of the torturer’s craft?

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There is a term used in archaeology to describe the process of collecting material from the top of the ground as opposed to digging or excavating for it. It’s called ‘surface collection’. I learnt this recently when I read a new book by that name on archaeology and heritage in South-East Asia by the Sydney-based archaeologist Denis Byrne. It was a useful concept to have in mind as I read Writing Heritage: The Depiction of Indigenous Heritage in European–Australian Writings, which overflows with vignettes and descriptions about men (and it was mostly men) who spent their time scouring the Australian landscape’s surface for things made by indigenous people.

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communication / community / commune / communion / common : mingle together as one

 

Let us begin with two remarkable observations:

1. Apes cannot speak

2. Apes cannot play a piano

Why should this be the case? After all, great apes such as chimpanzees and gorillas are our closest living relatives, and share most of our genetic heritage. They have well-formed hands that they can use to manipulate their environment. Their brain is more like ours in its structure and organisation than that of any other animal; from it they generate some disturbingly familiar behavioural traits.

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John Button was rare man, rare for any time, any place and in any calling. The public face – the Senator John Button, long-time Leader of the Government in the Senate, the hands-on, hard-hat minister of the Button car plan, the policy innovator and party reformer, the straight talker, unbridled political wit, notorious doodler, note writer, and scribbler of politically incorrect postcards to Senator Bronwyn Bishop (imagine it!) – that is the John Button Australia knows. His achievements have been many and they are exemplary.

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In The Best Australian Political Writing 2008, the ABC’s Tony Jones, a latish replacement as editor for the Canberra-bound Maxine McKew, has assembled forty-two pieces of non-fiction first published in 2007. The result is a mixed bag of genres, including columns, investigative journalism, polemic, book extracts and essays (but, alas, no fiction). The subject matter includes the November federal election, indigenous affairs, the environment, the ‘war on terror’, Australian values, and the artlessly named ‘culture wars’. The package sounds enticing, but while there’s plenty of insightful and relevant commentary – and some sublime prose – there’s also sometimes an ephemeral limpness, and an earnestness, to the anthology.

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The Word Spy by Ursula Dubosarsky (illus. Tohby Riddle) & The Reading Bug and How to Help Your Child Catch It by Paul Jennings

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May 2008, no. 301

Ursula Dubosarsky is an original and sensitive author of books for children and young adults, while the inimitable Paul Jennings is the author of many books for younger readers. His books engage readers through their hilarious plots and the insight he brings to the reading experience. Dubosarsky has won many literary awards for books such as the haunting The Red Shoe (2006), while Jennings, whose books have hooked many a reluctant reader, has won numerous children’s choice and other awards for books, including Unreal! (1985). They also have in common a driving passion for words, language, literature, reading and children. Both authors have poured this passion into these non-fiction releases, The Word Spy and The Reading Bug and How to Help Your Child Catch It.

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Genius Squad by Catherine Jinks & At Seventeen by Celeste Walters

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May 2008, no. 301

In the essay ‘Pay Attention to the World’, written shortly before her death in 2004, Susan Sontag argues that fiction is ‘one of the resources we have for helping us to make sense of our lives … [it] educates the heart and the feelings and teaches us how to be in the world’. While Sontag’s insight recognises the power of literature in general, the qualities she identifies are particularly significant in young adult fiction. Genius Squad and At Seventeen are two examples of the ‘rite of passage’ novel, where adolescent characters’ quests for self-discovery illuminate parallel themes in the lives of teenage readers.

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Lifting the flap

Dear Editor,

I had always believed that the only thing worse than a bad review was not to be reviewed at all, to be ignored. Now I find that there is something even more galling: to be reviewed by someone who is more concerned to air his and other peo ...

Most editors look forwards, not back. We have to: there are pages to fill, readers to court, deadlines to meet. But publication of a 300th issue of a literary review invites retrospection, if not undue nostalgia... ... (read more)

Travel in America is a journey crowded with literary acquaintances. For centuries visitors have striven to make sense of the United States, drawn by its energy, admiring or disturbed by its civic culture. Charles Dickens visited twice, in 1841 and 1867, capturing his observations in American Notes (1842) ...

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