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John Thompson
John Thompson is a historian and writer now living in Sydney after a long career at the National Library of Australia in Canberra. He holds a doctorate in history from the Australian National University and has written for various journals. He is a frequent reviewer for Australian Book Review. The author of The Patrician and the Bloke: Geoffrey Serle and the Making of Australian History (2006), he co-edited (with Brenda Niall) The Oxford Book of Australian Letters (1998). His anthology Documents that Shaped Australia was published in 2010.
For 175 years the Sydney Morning Herald has recorded the annals of colony, state and nation, never missing an issue. When the paper was established in 1831, the colony of New South Wales was still being opened up by exploration and settlement. Sydney’s population was little more than 15,000, while the colony itself numbered around 50,000 Europeans, including 20,000 convicts. Less certain was the ... (read more)
When he died in 1989, the artist Donald Friend left a double legacy. The first was his artistic output, as various, dazzling and charming as it was vigorously contested in terms of its ultimate quality. The second was an accumulation of forty-nine diaries commenced precociously at the age of fourteen, kept briefly for a year or two and then, from the war years on, written lovingly and obsessively ... (read more)
In the years between the two world wars, the young Soviet Union was, for socialist intellectuals and many liberals in the West, a social laboratory, one that held the promise of a new world order. Inspired by the transforming power and promise of the October Revolution of 1917, some were drawn to admiration of the great Socialist Experiment ‘in a land where revolutionaries were trying to create ... (read more)
In death, as in life, Manning Clark casts a long shadow. The author of A History of Australia (1962–87) remains a figure of considerable interest and contention in intellectual and cultural debate. Clark’s imposing oeuvre has its detractors and admirers. In pioneering a fresh and richly imagined awareness of national history for a post-World War II generation of Australians, Clark was an inspi ... (read more)
In what now seems to be the vanished country of the early years of my career, begun in the State Library of Victoria in the 1970s, I vividly remember John Arnold enthusing about his interest in the polymath Jack Lindsay (1900–90), son of Norman (another polymath) and one of the founders of the short-lived but gorgeously named Fanfrolico Press, whose legacy of fine books excited the keen interest ... (read more)
Since its official opening in March 1910, Sydney’s Mitchell Library has become one of Australia’s pre-eminent cultural assets. This remarkable institution was named in honour of the reclusive bachelor collector and bibliophile David Scott Mitchell (1836–1907), whose private library sits at its heart and whose fortune provided a rich endowment to support its continued growth and enrichment.
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Posthumously and handsomely published, this book is a poignant tribute to its author’s ‘magnificent obsession’. For a decade before her sudden death in April 2000, the Melbourne historian Jacqueline Templeton had pursued her interest in the migrations to Australia of Italians from the Valtellina, a province of Sondrio in Lombardy, high up in the Alpine and prealpine zones of northern Italy, ... (read more)
Under the umbrella of the State Library of New South Wales, the Mitchell Library in Sydney is one of Australia’s great cultural and collecting institutions. Opened to researchers in March 1910, the Mitchell Library was founded on the ‘peerless collection’ of books, manuscripts, maps, and pictures relating to Australia and the Pacific bequeathed to the then Public Library of New South Wales b ... (read more)
The public legacy of the art patrons John and Sunday Reed endures in various ways. Their influence is a strand in the story of the notorious ‘Ern Malley’ literary hoax. They played a major role in the emergence in the 1940s of an important circle of Melbourne modernist painters, including Sidney Nolan, Albert Tucker, and Arthur Boyd. Against the forces of conservatism and resistance, John Reed ... (read more)