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Theatre

Lost Plays in Shakespeare's England edited by David McInnis and Matthew Steggle

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May 2015, no. 371
Ian Donaldson reviews 'Lost Plays in Shakespeare's England' edited by David McInnis and Matthew Steggle

‘The art of losing isn’t hard to master,’ Elizabeth Bishop once famously wrote; ‘So many things seem filled with the intent / to be lost that their loss is no disaster.’ Much modern technology seems designed specifically to counter this natural human propensity towards loss. We have key rings that respond obediently to their owner’s whistle, immediately ...

Hello, Beautiful! Scenes From a Life by Hannie Rayson

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April 2015, no. 370
Carol Middleton reviews 'Hello, Beautiful' by Hannie Rayson

Apart from a brief stint as an actor, Hannie Rayson has spent her professional life writing plays, fourteen of them. Now she has shone the spotlight on her own life and brought her sense of dramatic conflict, emotional range and laugh-out-loud humour to her memoir, Hello, Beautiful!

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Night on Bald Mountain (Malthouse Theatre)

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13 May 2014

Goats are all but ubiquitous in the work of Patrick White. Start looking for them and they appear everywhere, staring out, page after page, with wise, tranquil eyes, pellets scattering like secrets into dust.

White bred goats, of course, Saanen goats, or tried to, while living at Castle Hill, and it is clear that the goat-mind made a profound impression. ‘ ...

Chinese Brecht

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Roving Blog

I was asked to interview the Chinese theatre director Meng Jinghui recently. He’s a cult figure in China, an associate director of the Beijing-based National Theatre and has over two million followers on Sina Weibo, the Chinese equivalent of Twitter.

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Stephen Berkoff’s ‘East’

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05 March 2014

Stephen Berkoff has always been the bad boy of British theatre. At East’s London première in 1975, the critics howled. Berkoff’s first play was filthy, with explicit references to sex and violence. Yes, the 1950s had spawned Kitchen Sink Drama, exposing the lives of the lower classes to a predominantly middle-class British stage. But Berkoff’s c ...

Once in Royal David’s City

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19 February 2014

At a time when a convicted drug smuggler is rumoured to be about to collect a fortune for her remarkably unremarkable story and when we are heading into a new round of so-called ‘culture wars’, in which an extraordinary amount of heat will be generated with precious little light accompanying it, it is refreshing to be presented with another of Michael Gow’s fo ...

Circus and Stage: The Theatrical Adventures of Rose Edouin and G.B.W. Lewis by Mimi Colligan

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February 2014, no. 358
Jay Daniel Thompson reviews &#039;Circus and Stage: The theatrical adventures of Rose Edouin and GBW Lewis&#039; by Mimi Colligan

In Circus and Stage, Mimi Colligan revisits the careers of stage performers Rose Edouin and and her husband, George Benjamin William Lewis, who were significant figures in nineteenth-century Australian theatre but are now ‘largely forgotten’.

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Stage Blood: Five Tempestuous Years in the Early Life of the National Theatre by Michael Blakemore

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February 2014, no. 358
Brian McFarlane reviews &#039;Stage Blood: Five tempestuous years in the early life of the National Theatre&#039; by Michael Blakemore

Anyone lucky enough to have read Arguments with England (2004), the first volume of Michael Blakemore’s memoirs, will be eager to read the second, Stage Blood, in which he traces the tumultuous history of his years at London’s National Theatre. Further, anyone as lucky as I was to see such productions of his as Long Day’s Journey into Night in 1971 will be agog to read the new book in the hope of insights about their genesis. Such people will not be disappointed.

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Waiting for Godot

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December 2013–January 2014, no. 357

With aching feet, bursting bladders, and the odd carrot for sustenance, Samuel Beckett’s famous pair of tramps have shuffled on to the stage of the Sydney Theatre for an extended run, though run is hardly the apposite word for this stationary duo. Perhaps one could call it an extended slump.

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Boy out of the country

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26 November 2013

It’s a story biblical in resonance: prodigal son Hunter returns after seven years in the wilderness, to find younger brother Gordon finalising a lucrative real estate deal; the homestead’s boarded up, ageing Mum has been moved to a tiny flat, and the Utopia they knew as boys is set for redevelopment. The brothers come to blows, family secrets are uncovered, and ...

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