The Australian Stage represents an interesting intersection between the academic world and the creative arts, between the long perspective of the historian, and the ephemerality of theatre performances. Its methodology is academic; it proceeds from an examination of documents, of written records of an art form only one aspect of which we think of as being written, the actual texts of plays. However, these are not the documents in question (although some bibliographical information about the plays is also included); rather it is the responses to performances, particularly reviews, written reminiscences, playbills, newspaper reports, which provide, collectively, the material for a historical survey of theatre in Australia.
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