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Wendy Jenkins

Portrait: A west coast collection edited by B.R. Coffey and Wendy Jenkins

by
August 1986, no. 83

Portrait presents a selection of short stories and poems from twenty-four writers from Western Australia: it celebrates a decade of publishing by the Fremantle Arts Centre Press by recognising (to quote from the brief introduction to this collection) ‘the achievement of writers who have been part of the history of the Press’. As we would now expect from this Arts Centre press, the book is beautifully produced, its stunning cover lifted from a painting by Guy Grey-Smith. In fact, the title of the collection itself announces the link between fine art and the writing this book contains. This is a ‘portrait’ of a publishing house and the writers it has fostered, and the stories and poems are themselves ‘portraits’ of people, places, flora and fauna, streets, and houses – colourful, exotic, introspective, delicate, distanced, isolated.

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The phenomenon of the Fremantle Arts Centre Press in Western Australia is one of the instructive publishing success stories of the past decade.

It is a frankly regional venture, and by concentrating on the local market and the immediate writing scene it has built up a secure base of interest – and sales. Out of a real or imagined (but widespread) sense of slight, or exclusion, has emerged the one thing most likely to resolve that carping insecurity: direct action aimed at self-sufficiency. It is important to recognise this motivating force. But it is important, also, to look at the consequences of that initial do-it-yourself bravado.

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