September 1992, no. 144

Fiction

Vanishing Points by Thea Astley

by Marie Maclean

Fiction

A Fence Around the Cuckoo by Ruth Park

by Margot Luke

Children's and Young Adult Fiction

The Web by Nette Hilton & Amy Amaryllis by Sally Odgers

by Meg Sorensen

Fiction

Exit Points by Nick Gray

by Robert Hood

Letters

Letters to the Editor - September 1992

by Robert Harris, John Hanrahan, Barbara Ker Wilson

Advances

Editorial

by Rosemary Sorensen

Memoir

East Wind, West Wind by Fang Xiangshu and Trevor Hay

by Andrew Riemer

Memoir

Broken Dreams by Bill Dodd

by John Hanrahan

Fiction

A Long Way Home by Mary K. Pershall

by Sally Harper

Fiction

No Way Back by J.R. Carroll

by Tina Muncaster

Fiction

Once a Perfect Woman by Paul Wilson

by Vashti Farrer

Essay

Poetry in the pop age: Or the battle between the weak and the strong

by Chris Wallace-Crabbe

Who Do You Think You Are?: Second generation immigrant women in Australia edited by Karen Herne, Joanne Travaglia, and Elizabeth Weiss

by Heather Neilsen

Short Stories

Rock ‘n’ Roll Heroes by Peter Skrzynecki

by Andrew Peek

International Studies

Kingdoms Come: Religion and politics in Brazil by Rowan Ireland

by Greg Dening

Fiction

The Butcher Boy by Patrick McCabe

by Rosemary Sorensen

Indigenous Studies

Mining and Indigenous Peoples in Australasia edited by J. Connell and R. Howitt & Aborigines and Diamond Mining edited by R.A. Dixon and M.C. Dillon

by Tim Rowse

Art

Danielle Garlick reviews 'Portrait of an Artist' by Brian Adams, 'Aboriginal Australian Art' by Ronald & Catherine Berndt and John Stanton, 'The Journeyman' by Salvatore Zofrea and Sally McInerney, 'A Buyer’s Guide to Australian Art' by Graham Ryles

by Danielle Garlick

Fiction

John Carroll reviews 'The Japanese Job' by Peter Corris, 'The Misplaced Corpse' by A.E. Martin, and 'The Whispering Wall' by Patricia Carlon

by J.R. Carroll

Gender

Pink Ink edited by Michael Hurley & Distractions by Benedict Ciantar

by Peter Mitchell

Fiction

Marigold by Nancy Cato & Rachel Weeping by

by Lyn Kirby

Journal

Australian Cultural History, Volume 11: Books, Readers, Reading edited by David Walker, Julia Hornen and Martyn Lyons

by Sue Murray

Commentary

Violence and Intellect: Thea Astley’s prose style

by Elizabeth Perkins

Military History

Ian Buchanan reviews ‘Six Aces’ by Lex McAulay, ‘Laughing Gunner and Selected War Stories’ by Geoffrey C. Bingham, ‘Maverick Soldier’ by John Essex-Clark, ‘The Devils’ Garden’ by Peter Pinney, ‘Making the Legend’ by Denis Winter

by Ian Buchanan

Fiction

The Seal Woman by Beverley Farmer

by Lyn Jacobs

Commentary

Thea Astley – A space of her own

by Harry Heseltine

Fiction

Vanishing Points by Thea Astley

by Nigel Krauth

September 1992, no. 144

Full Contents

Vanishing Points by Thea Astley

A Fence Around the Cuckoo by Ruth Park

The Web by Nette Hilton & Amy Amaryllis by Sally Odgers

Exit Points by Nick Gray

East Wind, West Wind by Fang Xiangshu and Trevor Hay

Broken Dreams by Bill Dodd

A Long Way Home by Mary K. Pershall

No Way Back by J.R. Carroll

Once a Perfect Woman by Paul Wilson

Who Do You Think You Are?: Second generation immigrant women in Australia edited by Karen Herne, Joanne Travaglia, and Elizabeth Weiss

Rock ‘n’ Roll Heroes by Peter Skrzynecki

Kingdoms Come: Religion and politics in Brazil by Rowan Ireland

The Butcher Boy by Patrick McCabe

Mining and Indigenous Peoples in Australasia edited by J. Connell and R. Howitt & Aborigines and Diamond Mining edited by R.A. Dixon and M.C. Dillon

Pink Ink edited by Michael Hurley & Distractions by Benedict Ciantar

Marigold by Nancy Cato & Rachel Weeping by

Australian Cultural History, Volume 11: Books, Readers, Reading edited by David Walker, Julia Hornen and Martyn Lyons

The Seal Woman by Beverley Farmer

Vanishing Points by Thea Astley