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Richard Rossiter

Indigo Vol. 3 edited by Sarah French, Richard Rossiter and Deborah Hunn

by
April 2009, no. 310

As Donna Ward indicates in her editorial, the latest issue of Indigo is dedicated partly to the generalist category of creative non-fiction. Ward’s editorial, structured around an anecdote concerning Helen Garner, flirts with this ‘new’ genre, employing techniques of fiction to convey factual events. But her assertion that in reading Garner we are ‘Distracted by whether or not her fiction is fact, [and] we forget that her work challenges because all of it is born of her life experience’ muddies the genre waters instead of illuminating how creative non-fiction might be usefully distinguished from fiction and other forms of (not-so-creative?) non-fiction.

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This is both an exciting and a sad collection. Kenneth Mackenzie, like those later Western Australian writers Randolph Stow and Tim Winton (and, I might add, Griffith Watkins), first appeared in print with work composed at a remarkably young age and which was extraordinary in its poetic intensity and command of language. And like Stow and Watkins (but not, fortunately, like Winton) the early achievement was matched only in fits and starts by the later work. Griffith Watkins committed suicide in his thirties, Randolph Stow has been beset by long periods of silence, and Kenneth Mackenzie drowned in a river near Goulburn, aged forty-one. He had become an alcoholic.

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