Clare Bradford is an Associate Professor in Literary and Communication Studies at Deakin University. She writes from within her discipline, and addresses other academics. Reading Race, despite its broad title, is principally a discussion of forms of racism that the author identifies in books published in colonial times, compared with contemporary examples.

Bradford’s thesis is that the sins of the past are still echoed in the present and are likely to be so in the future. She begins with a lengthy discussion of eight pre-1900 texts in which she establishes her criteria for forms of racism, which range through ‘colonial’, ‘postcolonial’, ‘Aboriginalist’, ‘ecofeminist’ and several others. These criteria become the basis for analysing a number of later publications. The first chapter, ‘Colonial Discourse’, includes an informative discussion of pre-1960 non-fiction texts, notably the South Austral-ian, New South Wales and Victorian School Readers, whose colonialist racism she sees as a pervasive influence in the education of John Howard’s generation. There are five pages on Mary Grant Bruce’s ‘Billabong’ books, three pages on Rex Ingamells’s Aranda Boy (which she dismisses as ‘romanticist’ and ‘Aboriginalist’) and a good analysis of Jeannie Gunn’s influential A Little Black Princess, but the ‘bush westerns’ that succeeded the pre-Federation adventure tales are ignored, as are such widely read titles as Frank Dalby Davison’s Children of the Dark People and Axel Poignant’s Piccaninny Walkabout.